Mojo Mathers was New Zealand's first deaf MP, and faced considerable hurdles just doing her job. In this short documentary from the Loading Docs series, Mathers talks about her time as an MP and her desire to ensure deaf and disabled people can fully engage in democracy in Aotearoa. In 2017 Mathers drafted the Election Access Fund Bill, to provide a contestable fund for those with disabilities who wanted to run for Parliament. In May 2018, Mathers' Bill passed its first reading with unanimous support. Director Jason Boberg has direct experience of disability.
'One Will Hear the Other’ offers all the trademarks of a Shihad classic — epic guitars, driving drums and a chorus tailor-made for joining in at one of the band’s legendary live shows. Directed by Australian Toby Angwin, and shot in Shihad’s then hometown of Melbourne, the video features performance footage of the group projected on to central city buildings, alongside a narrative implying this is the work of a group of guerilla street artists. The song was the lead single from 2008’s Beautiful Machine album, which debuted at number one on the New Zealand Top 40 chart.
For this screen showcase of NZ visual arts talent, critic Mark Amery selects his top documentaries profiling artists. From the icons (Hotere, McCahon, Lye) to the unheralded (Edith Collier) to Takis the Greek, each portrait shines light on the person behind the canvas. "Naturally inquisitive, with an open wonder about the world, they make for inspiring onscreen company."
The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?
Don McGlashan has played drums, horns, guitars and PVC pipes, created memorable songs with Blam Blam Blam, The Mutton Birds and as a solo artist, and won a run of awards for his soundtrack work. As Nick Bollinger puts it in this backgrounder, his songs are good for occasions big and small.
This collection rounds up almost every music video for a number one hit by a Kiwi artist; everything from ballads to hip hop to glam rock. Press on the images below to find the hits for each decade — plus try this backgrounder by Michael Higgins, whose high speed history of local hits touches on the sometimes questionable ways past charts were created.
NZ On Screen's Pacific Collection celebrates many things — many islands, many cultures, and the many Pasifika creatives who have enriched Aotearoa, by bringing their stories to the screen. The collection is curated by Stephen Stehlin, whose involvement in flagship Pacific magazine show Tagata Pasifika goes back to its very first season. In his backgrounder, Stehlin touches on sovereignty, diversity, Polyfest and bro'Town — and the relationship between Pacific peoples and Māori in Aotearoa.
In the beginning — of both movies and books — is the word. Many classic Kiwi films and television dramas have come from books (Sleeping Dogs, Whale Rider); and many writers have found new readers, through being celebrated and adapted on screen. This collection showcases Kiwi books and authors on screen. Plus check out booklover Finlay Macdonald's backgrounder.
See What I Mean is a documentary about people with a hearing impairment, and those who identify as deaf. It tells the stories of a family who were all born deaf, and a journalist who began to lose her hearing in her twenties. It features footage of deaf community events including rugby, an education meeting and socialising at the Deaf Club. This was the documentary that first presented the idea of 'Deaf Culture' on New Zealand television, relating it to protest activities by the American deaf community. The film was directed by Shirley Horrocks (Kiwiana, The New Oceania).
Winner of multiple awards, this 40 minute film aims to teach families how to manage communication with a deaf child. Narrator Peter Brian guides young families through the steps they can take to ensure their deaf child is able to develop speech and communication as effectively as possible. The documentary includes interviews with two deaf adults living full lives. In an early example of crowdfunding, a sponsorship body was set up to fund A Deaf Child in the Family. It was one of a number of shorts written and directed by Frank Chilton which focussed on people living with disabilities.