This collaboration between dancer Douglas Wright and director Gregor Nicholas was one of a series of music and movement-based shorts that established Nicholas’ reputation. A dramatised film noir sequence leads to a cross-dressing dance duel between Wright and Debbie McCulloch, shifting between an Orwellian cityscape and retro nightclub. Wright choreographs the bodies, and Nicholas the bold and sensual visual rhythms (shot by Stuart Dryburgh). Nicholas went on to direct high profile commercials and movie Broken English. Wright passed away in 2018.
Record label Flying Nun is synonymous with Kiwi indie music, and with autonomous DIY, bottom-of-the-world creativity. This collection celebrates the label's ethos as manifested in the music videos. Selected by label founder Roger Shepherd: "A general style may have loosely evolved ... but it was simply due to limited budgets and correspondingly unlimited imaginations."
New Zealand art has become a financial as well as emotional investment. In this documentary, director Shirley Horrocks talks to local art collectors, dealers and auctioneers about the market for original New Zealand artwork. Teacher Jim Fraser lives a modest life, putting all his passion into owning original art. Wellington couple Les and Milly Paris have gradually accrued a significant and valuable art collection, but their motivation has always been emotional. This feeling is shared by wealthier collectors, like arts patron (and film producer) James Wallace.
Pacific 3-2-1-Zero is a record of a performance of the eponymous work by renowned percussion group From Scratch. The work was devised in 1981 as a protest against nuclear testing and waste dumping in the Pacific. Ring-leader Phil Dadson, his players and their instruments — from whirling PVC pipes to biscuit tin lids — are arranged in the shape of the peace symbol. From Scratch's rhythms are cut with footage and facts of nuclear testing by director Gregor Nicholas to make for a resonant statement. The film won the Grand Prix at Midem’s 1994 Visual Music Awards.
This feature documentary from director Pietra Brettkelly (A Flickering Truth) follows Chinese fashion designer Guo Pei as she aims to join the exclusive world of Paris’s Chambre Syndicale de la Haute Couture. Brettkelly traces the designer’s Cinderella story from Mao’s China to Paris fashion shows and the Met Gala fundraiser event in New York, beginning with pop star Rihanna modelling a 27kg canary yellow gown in 2015. Yellow is Forbidden was selected for the 2018 Tribeca Film Festival (the first Kiwi film to screen in its main competition) and the NZ International Film Festival.
In this episode, Nia (Shania Gilmour) spends a day in the sun with her friend Hazel (Jessica Woollam). As the girls' imaginations and the show's distinctive animation run wild, the pair have adventures in New York, Sydney and Paris, and star in their own explosive action movie. But things turn cloudy when Hazel reluctantly reveals that she has to move back to Australia, leaving Nia to deal with the thought of losing her best friend. Nia's Extra Ordinary Life uses a diary format to help take us inside Nia's head.
This Māori Television series follows South Auckland dance crew The Palace as they prepare for the World Hip Hop Dance Championships, and a shot at their fourth title. This first episode films open auditions where dancers, including two gay brothers from Tokoroa, hope to join 'The Royal Family'. Led by choreographer Parris Goebel — who talks here about her method and early days — the crew have won global fame, including bringing its 'Polyswagg' to the hit video for Justin Bieber’s Sorry. There are also scenes of Goebel choreographing 2015 Kiwi movie Born to Dance.
Love, Speed and Loss is an extended documentary about racer Kim Newcombe, who turned heads in the 1970s on a König motorbike he developed and designed himself. Built around home movie footage and interviews with his charismatic, straight-talking widow Janeen, the film charts the couple's travels in Europe, and triumph on the track. Newcombe was killed racing in 1973, and posthumously finished second in that year's World 500cc Championship. Love, Speed and Loss won best documentary at the 2007 Qantas TV Awards and three Air NZ Screen gongs.
The follow up to 1989 tour doco The Good, the Bad and the Rugby sees winger John Kirwan narrate an insider’s guide to the All Blacks’ 1990 tour to France: from Michael Jones negotiating a haircut (“how do you say ‘square top’ in French?”) to 19-year-old Simon Mannix leading a ‘Ten Guitars’ singalong. Footy relics of the era include afternoon test matches, four point tries, placed kick-offs, sneaky ciggies and Steinlager. Producer Ric Salizzo later repeated the Pasta Productions’ recipe — sports fandom mixed with schoolboy pratfalls — in the successful Sports Cafe series.
Blackmail, lies and secrecy feature heavily in this TV3 documentary, which follows the teenage daughter of the photographer killed in the 1985 bombing of Greenpeace ship Rainbow Warrior. Marelle Pereira was just eight when her father Fernando died after French Secret Service agents set off two bombs in Auckland. The boat was set to protest nuclear testing in French Polynesia. Now 18, Pereira and her mum travel to French Polynesia, France and Aotearoa to ask why the French carried out the attack. Pereira interviews Rainbow Warrior crew and former Kiwi PM David Lange.