Great adverts are strange things: mini works of magic, with the power to make viewers smile, cry, and even buy. Kiwi directors have shown such a knack for making them, they've been invited to do so across the globe. But this collection is about local favourites; dogs on skateboards, choc bar robberies, ghost chips. NZ On Screen's Irene Gardiner backgrounds the top 10 here.
Marlborough's beloved grapevines star in this comedy feature, which was shot at a winery in just 11 days. Twenty-something Harry (Hayden J Weal from Chronesthesia) is dumped by his fiancée, just days before their wedding at a vineyard. Two of Harry's friends ensure the wine doesn't go to waste as they try to cheer him up. Written and directed by Casey Zilbert, the film was inspired by classic Ernest Hemingway novel Fiesta (aka The Sun Also Rises) about drunken expats in Europe. Hang Time is Zilbert's first movie; at university, her studies included Fiesta and wine science.
Roving Maori chef Pete Peeti finds himself on Rakiura/Stewart Island in this instalment of his long-running te reo based cooking series. The area has kai moana in abundance, but Peeti is interested only in the rich orange flesh of the salmon. Following an entree of cream cheese and smoked salmon pate, the episode’s main course is a tour of the offshore sea-cage salmon farm at Big Glory Bay. It stocks 900,000 Chinook or King salmon — less one, which features in a Thai curry (with a side dish of sashimi) prepared for Peeti by the farm’s supervisor.
Mai Time was an influential magazine show for Māori youth, screening for a decade on Saturday mornings on TV2. This episode looks at the place of ta moko (tattoo), interviewing Robert Ruha, a 27-year-old with a full-face moko. Mai Time crew visit Otara Music Arts Centre, a Matariki exhibition at Whaingaroa (Raglan), and then artist Lisa Reihana finds “more mean art by the sea”: Brett Graham and Rachel Rakena’s Aniwaniwa exhibition at the 52nd Venice Biennale. Aptly, the artwork explores the 1947 flooding of the village of Horahora for a hydroelectric scheme.
This turn of the century comedy series is a satirical look at colonial life through the eyes of Māori chief Te Tutu (Pio Terei). In this third episode, Te Tutu interrogates efforts by the settlers to mine for gold, and has designs on Vole's stove. Objects of ridicule include Pākehā and Māori cuisine; settler lust for “a useless, worthless, dangerous, coloured stone”; and patronising colonialism: “what’s the story with those beads and blankets? Haven’t they got any cash?” Meanwhile hangi pits are causing a spate of injuries. Michael Saccente has a guest role as an American miner.
This “best of” episode from Māori TV’s long-running te reo food show revisits stories that presenter Peter Peeti has shot throughout the North Island. It‘s a celebration of food harvested from the land, rivers and sea, ranging from stingrays on the East Coast and the Tūhoe Wild Food Festival at Waimana, to goat hunting in Taranaki and fishing on Parengarenga Harbour. Peeti’s korero with the people of the land is equally important, and his giggle is worthy of Billy T. Recipes include mussel fritters, baked hapuka, venison casserole and curried snapper.
The final episode of the first season of this colonial comedy tackles the Treaty, as settler Henry Vole argues that his land (purchased off a bloke he met at a bar in Tauranga) is fairly his. The pros and cons of a treaty are debated: “where all Māori may benefit from the administration that gave us the 18 hour working day for children”. Te Tutu counters with a Martin Luther King dream: “where the English are not marginalised in Aotearoa simply because they are a minority … where the English language won’t be lost because we’ll have Pākehā language nests …”
This turn of the century comedy series was a satirical look at colonial life through the eyes of moderately hapless Māori chief Te Tutu (Pio Terei). Complications from over-fishing of kai moana (seafood) are the main plot spurs of this second episode. Meanwhile a newcomer to Aotearoa – Herrick's brother, an English army toff played by Charles Mesure (Desperate Housewives, This is Not My Life) – attracts the attention of Hine Toa (Rachel House), and hatches an evil plan (‘MAF’: Murder All Fishes). Meanwhile the patronising Vole continues his campaign of colonisation.
Religion is the subject of this fourth episode of the series satirising colonial relations between Māori and Pākehā. Chief Te Tutu (Pio Terei) is disturbed by the bells ringing from the new church being built by settler Henry Vole, and goes to investigate. He finds a tohunga dressed like a tui. Te Tutu’s interpretation of the scripture leads to complications. Meanwhile Mrs Vole (Emma Lange) continues to do all the work while the Pākehā blokes chinwag. John Leigh (Sparky in Outrageous Fortune) guest stars as an Anglican minister under pressure from Vole to spice up his sermons.
From Jake the Muss to bounty hunter Jango Fett to talk show host, Temuera Morrison has played them all. In 2013 he played himself in this seven-part reality series, with cameras following over six months as he tried to revive his career. In this first episode, the easy-going actor has a birthday with his kids in hometown Rotorua, chats to his Hollywood agent about job possibilities from the rebirth of Star Wars, and faces up to learning an American accent. Later episodes saw him publicising hit film Mt Zion, and fielding an offer to direct.