In the mid-70s New Zealand was on the edge of recession, and the petroleum-dependent economy was reeling from the first oil shock (the cost of importing oil had ballooned due to restricted supply). To help conserve power, Television One and the Government-run New Zealand Electricity teamed up for a series of public service announcements. In this 1975 slot, English actor Edward Woodward — fresh from starring as secret agent Callan, and playing the uptight sergeant in cult horror The Wicker Man — raises a toast to NZ, and counsels Kiwis to ‘save power’ in his inimitable style.
Actor Kevin Smith could do it all; from brooding like Brando in a Tennessee Williams play, through Xena, to the gentle romantic lead of Double Booking, and self-parody in Love Mussel. Collected here are selections from a career cut short (he died in a 2002 film-set accident). Plus tributes from James Griffin, Michael Hurst, Geoffrey Dolan and Simon Prast.
This notorious clip was filmed for Timberjack's appearance at the 1971 Loxene Golden Disc Awards, to accompany their symphonic cover of the song by British band Black Widow. The Wicker Man-esque images of skulls and ritualistic sacrifice would do any of today's "black metal" groups proud — but proved too much for TV1 audiences, who jammed the switchboard with complaints. An alternate version screened a week later with the black and white negative inverted, but proved equally unsavoury and led to an outright ban. Warning: contains nudity and pine needles.
Rest for the Wicked showcases an all-star A-team of older Kiwi actors — among them John Bach, Bruce Allpress, and Gloss boss Ilona Rodgers. Gravel-voiced Tony Barry (the man who uttered the immortal line "goodbye pork pie") stars as Murray, a retired detective going undercover in an upmarket rest home. Frank hopes to catch his longtime nemesis (Bach). Instead he finds himself in the company of the randy, and the unexpectedly dead. The "sweet, rather knowing little movie" (Linda Burgess in The Dominion Post) marked the feature debut of advertising veteran Simon Pattison.
Actor Frank Whitten first won attention in 1984, playing the enigmatic farmer in Vincent Ward's breakthrough feature Vigil. Later he was known to many for his role as the Southern Man in the Speights "onya mate" commercials, and his ongoing appearances in Outrageous Fortune, playing the manipulative grandfather to the West clan. He died in February 2011.
Veteran actor Bruce Allpress has played true-blue Kiwis in everything from Ronald Hugh Morrieson classic The Scarecrow to 2011 feature Rest for the Wicked. Alongside a long run of supporting roles, he scored two Feltex awards as swagman star of 80s TV series Jocko.
When John Hyde first sought work in television he was advised to "get into the cutting room". His first job was as an editor at Television New Zealand, but Hyde soon made the jump to directing and producing. Today he reaches huge international audiences, helping command documentaries and reality series that focus on massive architectural structures, and showcase the wonders of the natural world.
Allen Guilford was a prolific and much admired cinematographer, whose host of television programmes ranged from 1970s TV landmark The God Boy to colonial melodrama Greenstone. Guilford won NZ Film Awards for his work on movies The Footstep Man, coming of age tale The Climb, and blockbuster What Becomes of the Broken Hearted? He passed away on 10 March 2009.
Ken Blackburn, MNZM, is a familiar face on New Zealand stage and screen. In a career spanning 50+ years he's appeared in iconic television shows (Gliding On, Shortland Street) and films — including a lead role in 1978 feature Skin Deep. Blackburn was awarded a New Zealand Order of Merit in 2005; in 2017 he received the a Lifetime Achievement award, acknowledging long-serving local actors.
Wellington-born Jonathan Hardy, who died in July 2012, was an actor for more than four decades. Along the way he was on stage in New Zealand, Australia and England, and on screen in Kiwi classic The Scarecrow and a run of Australian projects. Hardy also co-wrote Constance and Aussie classic Breaker Morant, in the process becoming the first New Zealander to be nominated for a scriptwriting Academy Award.