Campaign

Film, 1999 (Full Length)

In 1996 Tony Sutorius got his hands on a new digital video camera, days before the start of an election campaign in Wellington Central. Made on the proverbial shoestring, this feature-length documentary chronicles five of those battling for the crown as a new political age  — MMP — dawns. Richard Prebble joins a new party called Act, the National candidate joins United New Zealand… and one of the five will be sacrificed by their own party. Sutorius sat through 55 hours of footage to forge the result, which won enthused, sellout audiences at the 1999 NZ Film Festival.

I Care Campaign - John Hanlon

Television, 1974 (Excerpts)

In early 1974, NZ had more than just the Commonwealth Games on its mind. Norman Kirk’s Labour government was promoting social and ecological issues and the NZBC's 24 radio stations launched a yearlong 'I Care' campaign for the protection of the environment. A contest to find a theme song was won by John Hanlon whose credentials as a conservation crooner had been established with his eco-anthem 'Damn the Dam'. The launch in Petone was presided over by conservation minister Joe Walding, an understated logo was unveiled, and Hanlon performed his winning song.

The Years Back - 6, The Italian Campaign (Episode Six)

Television, 1973 (Full Length Episode)

In this The Years Back episode Bernard Kearns charts New Zealand's 6th Brigade and Maori Battalion as they fight their way through Italy between 1943 and 1945. Reaching Monte Cassino in 1944, the force suffered 1600 casualties in 12 weeks of bitter fighting. Using NFU pictures, the documentary traces the advance north after Cassino falls, and includes the bloodless capture of Padua and the setting up of the New Zealand Forces Club in the best hotel in Venice. The documentary ends with Kiwi forces facing down Tito's Yugoslav partisans in Trieste.

Spike Milligan - Nuclear-free public service announcements

Commercial, 1976 (Excerpts)

In these never-aired commercials, comic genius Spike Milligan urges New Zealanders to sign the Campaign Half Million petition against the introduction of nuclear power. Instead he advocates wind power while standing in breezy Wellington. The ads were never shown, though they did end up in a TV news story on the decision to ban them, thus gaining prime time exposure. The petition, organised for the Campaign for a Non-Nuclear Future, eventually gained 333,087 signatures, representing 10% of New Zealand's population at the time.

Māori Battalion - March to Victory

Television, 1990 (Full Length)

Māori Battalion - March To Victory tells the story of the New Zealand Army's (28th) Māori Battalion, which fought in campaigns during World War ll. Director and writer Tainui Stephens sets out in the feature-length documentary to tell the stories of five men who served with the unit, and also "capture how they felt about it". Narration by actor George Henare, remembrances, visits to historic sites, archival footage, and graphic stills create a respectful and stirring screen testament to the men who fought in the Battalion. Stephens writes about the film in the backgrounder.

A Question of Power - The Manapouri Debate

Television, 1980 (Full Length)

The bid to raise the level of Fiordland’s Lake Manapōuri (to provide hydro-electricity for an aluminum smelter) resulted in controversy between 1959 and 1972. This film charts a (still-timely) debate as arguments for industrial growth and cheap energy vie with views advocating for ecological values. New Zealand’s first large-scale environmental campaign ensued, and its “damn the dam” victory was a spur for the modern conservation movement — drawing an unprecedented petition, Forest and Bird, and figures like farmer Ron McLean and botanist Alan Mark into the fray.

Gallipoli: The New Zealand Story

Television, 1984 (Full Length)

This documentary tells the stories of the New Zealand soldiers who were part of the identity-defining Gallipoli campaign in World War I. In the ill-fated mission to take a piece of Turkish coastline, 2721 New Zealanders died with 4752 wounded. As part of research, every one of the then-surviving Gallipoli veterans living in New Zealand was interviewed, with 26 finally filmed. Shot at a barren, rocky Gallipoli before the advent of Anzac Day tourism, this important record screened on Easter Sunday 1984, and won a Feltex Award for Best Documentary.

Loose Enz - If the Cat Laps

Television, 1982 (Full Length)

This Loose Enz edition sees ambitious young TV ad-man Gary (Rex Merrie) attempt to climb the corporate ladder. His pitch to his old school superiors at a dinner party involves patronising a burgeoning Polynesian market. Open-neck shirts, wide lapels and gold chains represent the aspirational early 80s and bow ties and tartare sauce mark the Rotarian generation of Kiwi Mad Men. When wife Jenny (Alice Fraser) decides to be heard as well as seen, Gary finds his gender stereotypes challenged as much as his business sense. The gabby teleplay was written by Vincent O'Sullivan.

Eric the Goldfish

Television, 1992 (Extras)

Eric the Goldfish was the star of a campaign used to promote awareness of the role of broadcasting funding agency NZ On Air (formed in 1989), and to encourage people to pay the broadcasting fee. The campaign used humour and CGI to spread the message, taking the point of view of a pet goldfish watching a family, who are watching TV. Although it attracted attention for its cost, the campaign was rated an "outstanding success" by its funders, and Eric entered popular culture. In 2017 Eric was reincarnated as the name of NZ On Air’s online funding application system. 

Gallipoli

Television, 2005 (Trailer)

Made by Turkish director Tolga Örnek, this acclaimed film looks at the 1915 Gallipoli campaign in World War I. A point of difference is that it is narrated by people representing both sides of the catastrophic battle (including Sam Neill and Jeremy Irons for the ANZAC and British forces, and Zafer Ergin for the Turks). Dramatisations, restored film, interviews with experts, and poignant readings from letters and diaries all help to personaliss the experience of the carnage. Urban Cinefile described the international co-production as a "potent and magnificent documentary".