In the Cold War 60s, thrillers peopled with jetsetting spies with shifty figures standing behind pillars in sunnies were all the rage (Danger Man, The Man from Uncle). Kiwi entry The Alpha Plan revolves around a British security agent who finds himself downunder, on the run, investigating strange disappearances amongst a Mensa-like society made up the planet's brightest brains. The ambitious six-part mystery thriller was the first Kiwi TV drama designed to go beyond one episode; positive reaction to the show paved the way for NZBC’s in-house drama department.
Peppermint Twist’s pastel-tinted portrait of 60s puberty floated onto NZ screens in 1987 and despite winning a solid teen following, only screened for one series. Set amongst a group of teens in small town Roseville (in reality the outdoors set originally used for Country GP), the show’s stylised look and sound had few Kiwi precedents - though its links to US TV perennial Happy Days are clear. Peppermint made liberal, and increasingly confident use of period music, with each episode named after a pop song of the day.
The Benson & Hedges Fashion Design Awards were the big fashion event of the year from the mid 60s through to the 90s. The show was organised by Josephine Brody, with a TV version screening later. Model turned agent Maysie Bestall-Cohen organised the ‘B&H’ from 1982. An early 80s screen hiatus ended with TVNZ screening a live-to-air show from 1984 to 1998 — the Michael Fowler Centre event was one of its biggest outside broadcasts. In the later 90s the show was known as the Smokefree Fashion Design Awards (after tobacco company sponsorships were outlawed).
Before he was a British MP, Austin Mitchell spent time downunder, where he was a political science lecturer and wrote 1972 classic The Half Gallon Quarter Acre Pavlova Paradise. He was also a well known NZBC broadcaster in the 60s, fronting current affairs show Compass, and this parliamentarian interview series, which analysed Kiwi politicians, “in a manner that New Zealand audiences had never seen before” (Robert Boyd-Bell, New Zealand Television - The First 25 Years). The six subjects included PM Keith Holyoake; it was produced by future Hutt mayor John Terris.
This popular series was an early NZBC "pictorial magazine" show that explored "New Zealand’s backyard". Synonymous with producer Conon Fraser, the it was a staple of Sunday night 60s TV. Subjects ranged from Chatham Islands lobster fisheries, to Central Otago frost fires, to Miss New Zealand contestants. The show was praised in a 1968 NZ TV Weekly review as breaking new ground in relying more on imagery and interviewees' reflective voice-overs than (then usual) omniscient narration: "one of the few pure Television productions to have originated within the NZBC."
Column Comment in the 60s and News Stand in the 70s established a tradition of print media scrutiny by TV. Fourth Estate succeeded them with a brief expanded to include radio, TV and magazines. For 12 minutes on Friday nights, no media outlet (and especially not broadcaster TVNZ) was safe from the ruminations of journalism lecturer Brian Priestley, along with John Kennedy, editor of the Catholic weekly The Tablet, and guest presenters. Only brief programme excerpts and graphics of the newspaper articles under discussion provide visual relief.
Popco slotted in after Movin’ and before Norman, as part of a long tradition of Christchurch music shows which first began with Let’s Go in the early 60s. It featured a studio band, the Maggie Burke Dancers and vocalists including Bunny Walters, Annie Whittle, Tom Sharplin and Rob Guest, who performed the hits of the day. There were appearances from local acts including Ticket and Chapta, and overseas performers like Lindisfarne and Gary Glitter (who was overcome with vertigo and had to be rescued from a high diving board at QE2 pool, after miming one of his hits).
Made for TVNZ’s Heartland channel, this series saw veteran newsreaders looking back at memorable moments in New Zealand history, from the 1960s to the 1990s. Covering both news events and popular culture, the show combined archive content and interviews with those who were there. Each decade was covered over a week, nightly from 7.30 - 10pm. The TV legends presenting the screen nostalgia included Dougal Stevenson (covering the 60s), Jennie Goodwin (70s), Tom Bradley (80s) Judy Bailey (90s) and Keith Quinn (who joined in the second season).
In this two-part documentary celebrating 100 years of cars in New Zealand, actor Rima Te Wiata (Hunt for the Wilderpeople) sets out to find out what makes motoring such a beloved Kiwi pastime. Part one sees her looking at the early impact of cars, with interviewees reminiscing about the first time they saw a motor vehicle and the changes they brought about. Part two fast forwards into the second half of the 1900s: Te Wiata admires the freedom that cars brought in the 60s and 70s, learns about the Ford V8s of postwar New Zealand, and takes a cruise in a muscle car.
Before he was a British MP, Austin Mitchell spent time downunder, where he was a political science lecturer and a well known NZBC broadcaster in the 60s. On heading north he wrote classic 1972 book The Half Gallon Quarter Acre Pavlova Paradise, a satirical commentary on all things Kiwi from an ‘outsider’s’ perspective. In this three-part series, he returned on a length of the country tour to see how things are going in Godzone. “Cook discovered New Zealand, I discovered my pavlova paradise and now I’m going back there to see how it’s changed 40 years on.”