Peppermint Twist’s pastel-tinted portrait of 60s puberty floated onto New Zealand television screens in 1987. Despite winning a solid teen following, it only lasted for one series. Set amongst a group of teens in small town Roseville (in reality the outdoors set on the edge of Wellington, originally used for Country GP), the show’s stylised look and sound had few Kiwi precedents — though its links to American perennial Happy Days are clear. Peppermint made liberal, and increasingly confident use of period music, with each episode named after a pop song of the day.
In the Cold War 60s, thrillers peopled with jetsetting spies with shifty figures standing behind pillars in sunnies were all the rage (Danger Man, The Man from Uncle). Kiwi entry The Alpha Plan revolves around a British security agent who finds himself downunder, on the run, investigating strange disappearances amongst a Mensa-like society made up the planet's brightest brains. The ambitious six-part mystery thriller was the first Kiwi TV drama designed to go beyond one episode; positive reaction to the show paved the way for NZBC’s in-house drama department.
Made for TVNZ’s Heartland channel, this series saw veteran newsreaders looking back at memorable moments in New Zealand history, from the 1960s to the 1990s. Covering both news events and popular culture, the show combined archive content and interviews with those who were there. Each decade was covered over a week, nightly from 7.30 - 10pm. The TV legends presenting the screen nostalgia included Dougal Stevenson (covering the 60s), Jennie Goodwin (70s), Tom Bradley (80s) Judy Bailey (90s) and Keith Quinn (who joined in the second season).
The Benson & Hedges Fashion Design Awards were the big fashion event of the year from the mid 60s through to the 90s. The show was organised by Josephine Brody, with a TV version screening later. Model turned agent Maysie Bestall-Cohen organised the ‘B&H’ from 1982. An early 80s screen hiatus ended with TVNZ screening a live-to-air show from 1984 to 1998 — the Michael Fowler Centre event was one of its biggest outside broadcasts. In the later 90s the show was known as the Smokefree Fashion Design Awards (after tobacco company sponsorships were outlawed).
A Girl to Watch Music By was a six-part series, with each episode showcasing a popular female singer or singing act. Among those featured were recent chart-topper Allison Durbin, perennial Pat McMinn, Yolande Gibson, Eliza Keil from the Keil Isles, and The Chicks. Hosted by Ray Columbus — by 1969, already well on the way to becoming a television veteran — the series also featured a fondly remembered sketch where Columbus played puppet to a much taller Max Cryer. The show's title was likely a variation on 60s instrumental hit 'Music to Watch Girls By'.
C’mon brought the hits of the day into New Zealand living rooms for three years in a tightly scripted, black and white frenzy of special effects, pop art sets, go-go girls and choreographed musicians while host Pete Sinclair kept the pace cracking with breathless hipster charm. Most of the stars of the day appeared at one time or another but sadly only two episodes have survived. As the 60s finished C’mon fell victim to the fragmenting of the music world and the arrival of darker music that the show could no longer turn into family friendly viewing.
The first series of Decades in Colour sourced home movies from over 800 New Zealanders, to look back at life from the 1950s to the 1970s. Presented by Judy Bailey, it screened on Prime. Mixing lost images and new interviews, three hour-long episodes each focussed on a different decade: from the post-war suburbia of the 50s, to rugby, racing and beer in the 60s, to emerging challenges to cultural norms in the 70s, as jet travel and TV broadened perspectives and a more independent national identity emerged. A second series debuted in October 2017, focussing on work, home and play.
Column Comment in the 60s and News Stand in the 70s established a tradition of print media scrutiny by TV. Fourth Estate succeeded them with a brief expanded to include radio, TV and magazines. For 12 minutes on Friday nights, no media outlet (and especially not broadcaster TVNZ) was safe from the ruminations of journalism lecturer Brian Priestley, along with John Kennedy, editor of the Catholic weekly The Tablet, and guest presenters. Only brief programme excerpts and graphics of the newspaper articles under discussion provide visual relief.
When television began broadcasting in Auckland in 1960, the news consisted of a days old bulletin from the BBC in London. A locally-compiled bulletin began before the end of the year, with occasional locally-filmed items. From 1962 to 1969 a five minute news summary screened at 7pm, with the longer NZBC Newsreel following at 8. TV news expanded rapidly through the 60s, with the NZBC setting up a network of newsrooms in the main centres. November 1969 marked the first time a shared news broadcast played nationwide, with the launch of the NZBC Network News.
The Country Touch was a widely popular country and western music show from the 60s, that screened on Saturday nights. Produced by Bryan Easte for NZBC the show was filmed on an Auckland hay barn set and featured musical numbers, from folk, fiddles, and banjos to bluegrass, introduced by the legendary Tex Morton. Regulars included The Hamilton County Bluegrass Band, Brian Hirst’s Country Touch Singers (with a team of 20 square dancers), and Kay and Shane. Has Auckland ever been this close to the Appalachians?