Gardening with Soul follows four seasons in the life of irresistible gardening nun Sister Loyola Galvin. Director Jess Feast (Cowboys and Communists) unearths sage gems from the nonagenarian on everything from compost to Catholic Church sex abuse scandals. The cycles of Wellington’s weather are charted via its influence on Loyola’s Island Bay garden, from the 2011 snow to flax-drunk tui. Feast worked with editor Annie Collins to piece together a paean to a life lived with zest and compassion. Soul won the Best Documentary at the 2013 Moa (NZ Film) Awards.
Hosted by Maggie Barry, with ‘bug man’ Ruud Kleinpaste, Bill Ward, Jack Hobbs and Professor John Walker, the popular TV One gardening series Maggie's Garden Show (originally Palmers Garden Show) ran from 1991 to 2003. The Ellerslie Flower Show was a highlight of the production year and the subject of an annual special. This programme features the annual Ellerslie show in 2000. Barry and the team check out the outdoor gardens section, floral design, garden design and garden makeover marquees. A model of Gondwanaland in the Discovery Marquee is a highlight.
In this episode of the influential NZ architecture series, dapper tour guide David Mitchell looks at the 'Christchurch Style'. He begins with the humble baches on Taylor's Mistake's cliffs, before focusing on the Euro-influenced brutalism of Miles Warren and the "flamboyant" practice of Peter Beaven (earthquake victims SBS House, and Lyttelton Tunnel's "fifth ship" are featured); and the cottage's modern descendent: Don Donnithorne's post-war home. Warren intriguingly compares his process designing Christchurch Town Hall with Jørn Utzon's Sydney Opera House.
The quarter acre dream is in full flower in this colourful celebration of Kiwi gardening. Director Conon Fraser surveys the symbols (tool sheds, trimmed edges) and rituals (broken window, cricket ball), and muses on the role of gardens: from civic pride to “escape from the house”. A wide range of public and private landscapes are honoured, both reverentially — a time-lapse of blooms in Wellington's Lady Norwood Rose Garden — and whimsically — eg talking pests, and a couple rolling on the lawn in front of a knitting oldie. The film won top prize at a US Horticultural Society Festival.
Cannes is the town in France where Bergman meets bikinis, and the art of filmmaking meets the art of the deal. In 1975, a group of expat Kiwis managed to score interviews with some of the festival's emerging talents, indulging their own cinematic dreams in the process. Werner Herzog waxes lyrical on the trials and scars of directing; a boyish Steven Spielberg recalls the challenges of framing shots during Jaws; Martin Scorsese and Dustin Hoffman talk a gallon. Six years later interviewer Michael Heath's debut script The Scarecrow would be invited to Cannes.
After success with short films (This is Her, Redemption) director Katie Wolfe made the transition to longer length story-telling with this 2010 drama. With This is Her writer Kate McDermott she adapted the Witi Ihimaera novel about a 40-something man confronting his double life, and the impact that his coming out as gay has on his wife, kids, and whānau. A key change was turning the book’s Pākehā protagonist to a successful Māori businessman (Calvin Tuteao). It screened on TV One on 23 January 2010 and at festivals internationally (where it was entitled Kawa).
Adapted from one of Katherine Mansfield's best known short stories, this restrained culture-clash-in-colonial-Wellington tale follows Laura (Alison Routledge from The Quiet Earth), an idealistic teen preparing for her family's garden party. The raising of marques and arrangement of cream puffs and canna lilies is disrupted by news of a neighbour's accidental death. Laura protests that the party should be cancelled, but her mother disagrees. A visitation at the working man's cottage down the hill and an encounter with the victim’s corpse piques Laura's class consciousness.
This promotional travelogue, made for the Christchurch City Council, shows off the city and its environs. Filmed at a time when New Zealand’s post-war economy was booming as it continued its role as a farmyard for the “Old Country”, it depicts Christchurch as a prosperous city, confident in its green and pleasant self-image as a “better Britain” (as James Belich coined NZ’s relationship to England), and architecturally dominated by its cathedrals, churches and schools. Many of these buildings were severely damaged or destroyed in the earthquakes of 2010 and 2011.
Dancer Shona McCullagh’s award-winning debut short film offers a joyful fingers-up to gravity, dialogue, and the idea that nuns never get up to anything exciting. Two nuns flip twist and fly from bedside to beachside, turning a moving train carriage into a jungle gym (in-between desperately seeking solace from the call of nature). The footloose dance film did some travelling of its own: invited to over 30 festivals, including prestigious dance film festivals, and Edinburgh, Clermont-Ferrand, and Sundance (where it played before Kiwi feature Scarfies).
Sixty-five years of life are condensed into three minutes in this 2016 Loading Doc, which profiles two pioneering kumara growers and Kiwi characters: Fay and Joe Gock. The Gocks were refugees from the Japanese invasion of China, who met in 1953. It was then illegal for Chinese to own land, but they went on to became the largest market gardeners in Mangere. In 2013 they won Horticulture New Zealand’s highest honour. Told as a poem, narrated by Ian Mune, the film was directed by commercials director and ex Cassandra's Ears bass player, Felicity Morgan-Rhind.