Keen to preserve the stories of those who went to war, filmmaker David Blyth (Our Oldest Soldier) teamed up with RSA historian Patricia Stroud. The result is Memories of Service, a series of interviews with veterans from World War II, Vietnam and Korea. They recall comradeship, high risk bombing runs over Europe, blackmailing guards at prisoner of war camps (Ernest Davenport), and 16-hour days working the infamous Burma Railway (James Easton). Inbetween arranging further interviews, Blyth also put together compilation reels, culled from the conversations.
Off the Rails was a 12-part journey through the railway memories of New Zealand, with raconteur Marcus Lush at the wheel. With a trainspotter's reverence for ways rail, the beautifully shot, and gently wry travelogue guided viewers around (with thanks to the Raurimu Spiral) the heart of Aotearoa. Off the Rails’ award-winning achievement was to show that energetic storytelling (Super 8 footage, contemporary pop score and snappy editing), combined with the homespun charms of local subject matter, could make for high-rating television.
Competing canines on primetime TV invoke memories of the heyday of A Dog's Show in this TVNZ series. Tux was presented and produced by dog lover Mark Leishman, with his faithful golden Labrador companion Dexter (until the latter's death in 2000). Jim Mora provides a genial and pun-filled commentary as obedience tests and obstacle courses challenge the teams of dogs, and exasperate (and occasionally delight) their owners. Titbits come in the form of dog lore and trivia, advice from pet psychologists and canine funniest home videos.
Four-part series Revolution mapped sweeping social and economic change in New Zealand society in the 1980s and early 1990s. Described as a “journalist's assembly” by its makers, it collected together interviews with the major players and archive footage. Producer Marcia Russell: “We wanted to make Revolution because we believed that unless we re-run and re-examine our recent history we are in constant danger of forgetting, and forgetting can render us passive about the present and slaves of the future.” It won Best Factual Series at the 1997 Film and TV Awards.