This song is taken from the only new album released in the 1990s by Kiwi music legends Hello Sailor. In an AudioCulture profile of the band, writer Murray Cammick praised the Dave McArtney-penned track as one of two strong additions to the Hello Sailor canon (alongside song 'New Tattoo', also from 1994). The music video features the band playing (on a Ponsonby street, in a derelict building) intercut with archive clips (famous sporting moments, returned servicemen, Edmund Hillary, hikoi, the Beatles tour), echoing the song’s lyrical themes of waning memories and nostalgia.
'Travellin' On' could be a theme song for veteran musicians everywhere — and blues legend Midge Marsden has recorded this Murray Grindlay song on three occasions. This version is quieter and more reflective, in keeping with the Europa commercial Marsden appeared in during the 1980s (for which Grindlay took lead vocal). Later the pair joined American Stevie Ray Vaughan for a far rockier take. Footage from the various adverts is reprised here, but the blue/gray wash, along with shots of Midge's travels, make this rendition more of a remembrance of a life spent on the road.
The trademark warm, jangling sound of veteran Flying Nun band The Bats masks a Robert Scott lyric about emotional numbness on this song from their debut album Daddy's Highway. Director Jonathan Ogilvie's clip features a chainsaw of Damocles and the ventriloquist's dummy from the album cover — and a poignant Christchurch location. The distinctive, triangular ANZ Bank Chambers (where the band members play on the balconies) and surrounding buildings at the intersection of Manchester, High and Lichfield streets were devastated in the city's earthquakes.
“I hear the roooolling thunder”. Sir Howard Morrison’s classic bilingual rendition of the popular hymn comes from an October 1981 Royal Variety Performance, in front of Queen Elizabeth II and Prince Philip. Morrison's performance at Auckland's St James Theatre of 'Whakaaria Mai' marked a comeback for the veteran entertainer, who had been out of the spotlight working in Māori youth development. Released as a single a couple of months later, it topped the charts for four weeks, and led to the commissioning of a televised Howard Morrison Special in 1982.
Recorded after their new label Mushroom Records Australia demanded ballads, 'Last Night In The City' is a moment of a departure from the hard rock that Knightshade were known for. But the song proved to be their biggest hit, clawing its way to number nine on the New Zealand singles chart in December 1989. The video has the band playing in a moodily-lit recording studio and features a double neck guitar à la Jimmy Page, a mystery woman, and lead singer Wayne Elliott lamenting lost love. The song was produced by American recording veteran Jim Faraci (Ratt, Poison).
Comprised of veteran players from Auckland’s punk scene, The Bleeders quickly made a name for themselves with their polished take on the then-nascent ‘post-hardcore’ sound of the early 2000s. ‘Out of Time’, a tribute to friends of the band who were killed in a car accident, was their first single for Universal. The accompanying video has singer Angelo Munro stalking the tunnels and ramps of an inner-city skate park before joining an entourage of friends, fans and hangers-on for the song’s anthemic chorus — and a poignant gesture to the heavens.
'Circus Kids' was the second single from Bike’s sole long-play record Take In The Sun. It is a prime example of the layered, classically-inspired arrangements and pop songcraft that frontman Andrew Brough had touched on in his previous band Straitjacket Fits. In this swirling, elegantly-gothic promo video, an innocent young boy goes a-wandering, and discovers the seedy underbelly of circus life — all rendered in lush black and white by director Jonathan King, and veteran cinematographer Neil Cervin.
Crooner Marlon Williams has called 'Vampire Again' "my own demented tale of New Age self-affirmation". The song was born after he discovered he was the only person to dress up as a vampire for a screening of 1922 horror classic Nosferatu. Williams directs the music video; his portrayal of dance fiend and comical bloodsucker reflects his belief that good material can be found in the tension between serious and foolish. The video was shot and cut by veteran music photographer Steve Gullick (Nirvana). It won Best Music Video at the 2018 Vodafone NZ Music Awards.
This classic video takes a band, then throws them in the back of a moving vehicle as they try to play their song without falling over. Greg Page, a music video veteran ('Verona', 'Stop the Music'), remembers that "the concept was enormous, but sadly unrealised. But what we ended up with was a piece of magic I've never quite been able to reproduce." He talks about making this and another D4 video in a single weekend, here.
Looking like Borat out on the town, Monte Video's 'Shoop Shoop ...' invaded the pop charts in 1982. The novelty song written by — and starring — veteran Auckland musician Murray Grindlay reached No 2 in New Zealand, No 11 in Australia, and was released in the UK. TVNZ's chart show Ready to Roll found itself playing host to a hedonistic video filmed at Ponsonby's Peppermint Park nightclub with scenes of flagrant alcohol and tobacco use and a cast of transvestites. Follow-up album Monte Video featured song 'You Can't Stop Me Now', which seemed like a threat.