This seven-part documentary series examines New Zealand as a nation of migrants. The original idea behind the show was to concentrate on upbeat personal stories. But many of the completed episodes go wider, balancing modern day interviews with a broader historical view of each group's immigrant experience down under. Immigrant Nation saw camera crews travelling to Europe, China, Sri Lanka and Samoa. Stories of escape, longing and prejudice are common - along with a feeling of having a foot in two worlds. An Immigrant Nation screened on TV One.
Our People Our Century was a documentary series from Ninox productions, that looked back over the past 100 years of New Zealand society as it turned over the millennium. Major events and changes over the century were shaped into six themed episodes: war, land, poverty and prosperity, families, state support and national identity, with apposite interviews providing personal and dramatic context. Our People Our Century won Best Factual Series at the 2000 NZ TV Awards, with Philip Temple winning a best documentary script award for the 'Families at War' episode.
Here to Stay uses New Zealand personalities to examine key settler groups that make up the Kiwi tribe. Each show mixes personal stories with a wider view, as the presenter sets out to discover what traits and icons their ethnic group contributed to the NZ blend. In the first (of two) series Michael Hurst, Theresa Healey, Ewen Gilmour, Jackie Clarke, Frano Botica and Bernadine Lim explore the English, Irish, German, Scot, Croatian, and Chinese stories respectively. Each episode includes identity reflections from a chorus of well-known Kiwis.
The first series of Decades in Colour sourced home movies from over 800 New Zealanders, to look back at life from the 1950s to the 1970s. Presented by Judy Bailey, it screened on Prime. Mixing lost images and new interviews, three hour-long episodes each focussed on a different decade: from the post-war suburbia of the 50s, to rugby, racing and beer in the 60s, to emerging challenges to cultural norms in the 70s, as jet travel and TV broadened perspectives and a more independent national identity emerged. A second series debuted in October 2017, focussing on work, home and play.
This series was based on a fund raiser called “Art for Love or Money” run at Dunedin Art Gallery in the early 80s by two local identities: antique dealer Trevor Plumbly and expatriate American gallery owner and basketball commentator Marshall Seifert. Television used them as panellists and added ex-newsreader Dougal Stevenson as host, and a group of regular guests to examine objects brought in by members of the public. Unlike its BBC counterpart Antiques Roadshow, Antiques for Love or Money was a panel discussion, with the owners of the pieces never sighted.
The concept behind 2016 Māori Television talent show The Stage: Haka Fusion was to combine traditional kapa haka with contemporay dance disciplines like hip hop and ballet. Contestants competed for a prize purse of $50,000. Produced in-house by Māori TV, Haka Fusion was fronted by Rotorua actor and teacher Kimo Houltham. The first series was won by World Champion hip hop dance crew Identity Dance Company. They were given a wild card lifeline into the finals by the four judges, after their initial routine failed to meet the show’s criteria: it didn’t feature enough kapa haka!
This four-part series from 1996 presents the game of rugby as a mirror for New Zealand social history. Written by Finlay Macdonald, it sets out to explain how rugby became such an intrinsic part of New Zealand's identity. Each episode visits iconic paddocks (from schools to stadiums) and players (from amateurs Nepia, Meads, and Shelford, to professional star Lomu); and observers muse on the influence of the inflated pig's bladder on Kiwi culture, including historian Jock Phillips, writer Ian Cross and journalist TP Mclean.
Heartland was a long-running series where, in each episode, affable presenter Gary McCormick explored a Kiwi community. Location and local legend are relayed as McCormick (or occasionally Annie Whittle, Maggie Barry, or Kerre McIvor) interacts with the natives, most famously, tiger slipper-shod Chloe of Wainuiomata. The popular, award-winning series, was inspired by a collaboration — Raglan by the Sea — between McCormick and director Bruce Morrison; it connected mostly-urban Kiwis with faraway corners of the country, and a homely sense of shared identity.
English-born broadcaster Ian Johnstone had been living in New Zealand for 17 years when TVNZ gave him the opportunity to take the pulse of his adoptive country, in a series of six half-hour documentaries. With a brief to provide his personal perspective on "what's changing, what's worth keeping", Johnstone's Journey saw him touring the country and talking to everyday people (rather than the expected experts) as he examined the Kiwi DIY ethic, Māori and Pākehā attitudes to the land, the family, rural community, the spread of the cities, and the New Zealand identity.
This major documentary series chronicles the first half century of New Zealand television. Made for the Prime network (after being declined by TVNZ), it examines the medium’s evolution across seven episodes — from one channel to today’s multitude. After an opening 90 minute overview, individual programmes covered the stories of news (across five major stories), sport, drama and comedy, documentaries, New Zealand identity and Maori television — with an impressive array of interviews and 50 years worth of telly highlights (and the occasional misfire).