This seven-part documentary series examines New Zealand as a nation of migrants. The original idea behind the show was to concentrate on upbeat personal stories. But many of the completed episodes go wider, balancing modern day interviews with a broader historical view of each group's immigrant experience down under. Immigrant Nation saw camera crews travelling to Europe, China, Sri Lanka and Samoa. Stories of escape, longing and prejudice are common - along with a feeling of having a foot in two worlds. An Immigrant Nation screened on TV One.
This major documentary series chronicles the first half century of Kiwi television. Made for the Prime network (after being declined by TVNZ), it examines the medium’s evolution across seven episodes. After an opening 70 minute overview, individual programmes covered the stories of sport, entertainment, drama and comedy, protest coverage, New Zealand identity and Māori television — with an impressive array of interviews, and 50 years worth of telly highlights. John Bates was nominated for Best Documentary Director at the 2011 Aotearoa Film and TV Awards.
This four-part series from 1996 presents the game of rugby as a mirror for New Zealand social history. Written by Finlay Macdonald, it sets out to explain how rugby became such an intrinsic part of New Zealand's identity. Each episode visits iconic paddocks (from schools to stadiums) and players (from amateurs Nepia, Meads, and Shelford, to professional star Lomu); and observers muse on the influence of the inflated pig's bladder on Kiwi culture, including historian Jock Phillips, writer Ian Cross and journalist TP Mclean.
Heartland was a long-running series where, in each episode, affable presenter Gary McCormick explored a Kiwi community. Location and local legend are relayed as McCormick (or occasionally Annie Whittle, Maggie Barry, or Kerre McIvor) interacts with the natives, most famously, tiger slipper-shod Chloe of Wainuiomata. The popular, award-winning series, was inspired by a collaboration — Raglan by the Sea — between McCormick and director Bruce Morrison; it connected mostly-urban Kiwis with faraway corners of the country, and a homely sense of shared identity.
The first series of Decades in Colour sourced home movies from over 800 New Zealanders, to look back at life from the 1950s to the 1970s. Presented by Judy Bailey, it screened on Prime. Mixing lost images and new interviews, three hour-long episodes each focussed on a different decade: from the post-war suburbia of the 50s, to rugby, racing and beer in the 60s, to emerging challenges to cultural norms in the 70s, as jet travel and TV broadened perspectives and a more independent national identity emerged. A second series debuted in October 2017, focussing on work, home and play.
Houses have long been central to New Zealand's identity, from the whare to the quarter-acre pavlova paradise, to The Block and the 2000s Auckland bubble. This TVNZ ‘home show’ looks at the obsession, circa the early 90s: exploring contemporary grand designs, renovation dilemmas, and meeting Kiwi personalities of the era in their homes. The first of four series was presented by actor Jennifer Ward-Lealand and builder (and future Dunedin mayor) Dave Cull. Jim Hickey and Jude Dobson later joined Cull. The show spawned a 1994 book written by Cull and Stuart Niven.
This iconic travelling TV game show pitted teams representing New Zealand towns against each other in a series of colourful physical challenges. Top Town was run over a series of weekly heats, staged in different towns on local sports fields. It leveraged nostalgia for a fast-fading time when NZ's population (and identity) resided in rural hub towns. The series was light-hearted light-entertainment gold, but the battle for civic bragging rights was serious stuff and it screened for 14 years from 1976 until 1990.
Here to Stay uses New Zealand personalities to examine key settler groups that make up the Kiwi tribe. Each show mixes personal stories with a wider view, as the presenter sets out to discover what traits and icons their ethnic group contributed to the NZ blend. In the first (of two) series Michael Hurst, Theresa Healey, Ewen Gilmour, Jackie Clarke, Frano Botica and Bernadine Lim explore the English, Irish, German, Scot, Croatian, and Chinese stories respectively. Each episode includes identity reflections from a chorus of well-known Kiwis.
This series was based on a fund raiser called “Art for Love or Money” run at Dunedin Art Gallery in the early 80s by two local identities: antique dealer Trevor Plumbly and expatriate American gallery owner and basketball commentator Marshall Seifert. Television used them as panellists and added ex-newsreader Dougal Stevenson as host, and a group of regular guests to examine objects brought in by members of the public. Unlike its BBC counterpart Antiques Roadshow, Antiques for Love or Money was a panel discussion, with the owners of the pieces never sighted.
The Māori Sidesteps began as a live band, then starred in this fictionalised web series. The tale begins at Pete's Emporium in Porirua, where the staff need an escape from the daily grind. Managing the new band is the Emporium’s owner Dollar$ (Raybon Kan). In series one the band struggle for gigs, band members and a sense of identity. An earthquake in season two triggers a tsunami of absurd challenges, including rival bands and a seductive demigod. Starring as the Sidesteps are Jamie McCaskill, Cohen Holloway, Rob Mokaraka, Jerome Leota and Erroll Anderson.