This seven-part documentary series examines New Zealand as a nation of migrants. The original idea behind the show was to concentrate on upbeat personal stories. But many of the completed episodes go wider, balancing modern day interviews with a broader historical view of each group's immigrant experience down under. Immigrant Nation saw camera crews travelling to Europe, China, Sri Lanka and Samoa. Stories of escape, longing and prejudice are common - along with a feeling of having a foot in two worlds. An Immigrant Nation screened on TV One.
New Zealand Mirror was a National Film Unit 'magazine-film' series aimed at a British theatrical audience. Mostly re-packaging Weekly Review and later, Pictorial Parade content for receptive UK eyes, it also generated a small amount of original content. The series covered items showcasing NZ to a British market and as such has some interest as a post-war representation of New Zealand's burgeoning sense of national identity, from peg-legged Kiwis and children feeding eels, to the discovery of moa bones, to pianist Richard Farrell.
The concept behind 2016 Māori Television talent show The Stage: Haka Fusion was to combine traditional kapa haka with contemporay dance disciplines like hip hop and ballet. Contestants competed for a prize purse of $50,000. Produced in-house by Māori TV, Haka Fusion was fronted by Rotorua actor and teacher Kimo Houltham. The first series was won by World Champion hip hop dance crew Identity Dance Company. They were given a wild card lifeline into the finals by the four judges, after their initial routine failed to meet the show’s criteria: it didn’t feature enough kapa haka!
The first series of Decades in Colour sourced home movies from over 800 New Zealanders, to look back at life from the 1950s to the 1970s. Presented by Judy Bailey, it screened on Prime. Mixing lost images and new interviews, three hour-long episodes each focussed on a different decade: from the post-war suburbia of the 50s, to rugby, racing and beer in the 60s, to emerging challenges to cultural norms in the 70s, as jet travel and TV broadened perspectives and a more independent national identity emerged. A second series debuted in October 2017, focussing on work, home and play.
This major documentary series chronicles the first half century of Kiwi television. Made for the Prime network (after being declined by TVNZ), it examines the medium’s evolution across seven episodes. After an opening 70 minute overview, individual programmes covered the stories of sport, entertainment, drama and comedy, protest coverage, New Zealand identity and Māori television — with an impressive array of interviews, and 50 years worth of telly highlights. John Bates was nominated for Best Documentary Director at the 2011 Aotearoa Film and TV Awards.
Houses have long been central to New Zealand's identity, from the whare to the quarter-acre pavlova paradise, to The Block and the 2000s Auckland bubble. This TVNZ ‘home show’ looks at the obsession, circa the early 90s: exploring contemporary grand designs, renovation dilemmas, and meeting Kiwi personalities of the era in their homes. The first of four series was presented by actor Jennifer Ward-Lealand and builder (and future Dunedin mayor) Dave Cull. Jim Hickey and Jude Dobson later joined Cull. The show spawned a 1994 book written by Cull and Stuart Niven.
Here to Stay uses New Zealand personalities to examine key settler groups that make up the Kiwi tribe. Each show mixes personal stories with a wider view, as the presenter sets out to discover what traits and icons their ethnic group contributed to the NZ blend. In the first (of two) series Michael Hurst, Theresa Healey, Ewen Gilmour, Jackie Clarke, Frano Botica and Bernadine Lim explore the English, Irish, German, Scot, Croatian, and Chinese stories respectively. Each episode includes identity reflections from a chorus of well-known Kiwis.
The titles made under the Loading Docs banner combine two things Kiwi filmmakers have a proven record in — short films and documentaries. Designed to give directors an online platform for “work that inspires, pushes boundaries and moves audiences”, the result has been an annual series of roughly 10 shorts, each less than four minutes long. Loading Docs launched in 2014 and its films — ranging from bungy jumpers to queer identity — have screened internationally on high profile websites. Loading Docs is produced by Notable Pictures' Julia Parnell and Anna Jackson.
This series was based on a fund raiser called “Art for Love or Money” run at Dunedin Art Gallery in the early 80s by two local identities: antique dealer Trevor Plumbly and expatriate American gallery owner and basketball commentator Marshall Seifert. Television used them as panellists and added ex-newsreader Dougal Stevenson as host, and a group of regular guests to examine objects brought in by members of the public. Unlike its BBC counterpart Antiques Roadshow, Antiques for Love or Money was a panel discussion, with the owners of the pieces never sighted.
The Māori Sidesteps began as a live band, then starred in this fictionalised web series. The tale begins at Pete's Emporium in Porirua, where the staff need an escape from the daily grind. Managing the new band is the Emporium’s owner Dollar$ (Raybon Kan). In series one the band struggle for gigs, band members and a sense of identity. An earthquake in season two triggers a tsunami of absurd challenges, including rival bands and a seductive demigod. Starring as the Sidesteps are Jamie McCaskill, Cohen Holloway, Rob Mokaraka, Jerome Leota and Erroll Anderson.