The idea for this popular series came when Northland fisherman Matt Watson decided that – piqued by "boring" fishing shows – he’d make what he wanted to watch. A SportsCafe fishing video competition win led to The Fishing Show on Sky/Prime in 2004, before it moved to TVNZ in 2005 and became The ITM Fishing Show. The series relocated to TV3 for six years, then returned to TV One in 2014. A YouTube clip of Watson jumping from a helicopter to bag a marlin led to a 2009 appearance on David Letterman's the Late Show. In 2017 the show morphed into ITM Hook Me Up on Prime.
This homespun, informative and gently satirical hunting and fishing series is presented by good kiwi bloke Ken Moller (Lynda Topp from the Topp Twins). With alpine guide, Queenstown radio DJ and crack shot Emma Lange, aka Lady Hunter, Ken takes viewers on armchair adventures to some of New Zealand's most spectacular wilderness regions where they hunt sika stag, fish for feisty rainbow trout and "bloody beautiful browns". Closing segment Ken's Camp Kitchen features "gastronomical delights" such as venison casserole.
The iconic all-things-rural show is the longest running programme on New Zealand television. With its typical patient observational style (that allows stories of people and the land to gently unfold) it’s an unlikely broadcasting star, but New Zealanders continue, after 50 plus years, to tune in. Amongst the bucolic tales of farming, fishing and forestry, there are high country musters, floods, organic brewing, falconry, tobacco farming, as well as a fencing wire-playing farmer-musician, a radio-controlled dog, and Fred Dagg and the Trevs.
Extraordinary Kiwis screened on Prime TV. Each episode showcases a New Zealander in their natural habitat and looks at what makes them extraordinary; subjects ranged from household names (Scott Dixon, Colin Meads) to unsung heroes. The third season introduced an on-screen presenter, with Clarke Gayford willingly stepping up to the plate Paper Lion-style to experience the subject's world: from trying to keep up with All Black star Dan Carter, to duck shooting with a fashion designer, fishing in Antarctica, and playing for laughs as a stand-up comedian.
Hunger for the Wild took Wellington chefs Al Brown and Steve Logan out of their fine dining restaurant and into the wilds of Aotearoa, on a fishing, foraging and hunting culinary adventure. Putting the local in 'locally sourced', each episode involves Al and Steve splitting up and collecting ingredients (and characters) for an end of episode meal. The homegrown and cooked dish is then toasted with a wine selected by Logan. Three series were produced for TVNZ by Peter Young's Fisheye films, winning a 2007 NZ Screen Award and Best Lifestyle Series at the 2009 Qantas Awards.
This 2016 Māori Television reality series follows Te Urewera-bred, Cambridge-based bushman Owen Boynton as he travels Aotearoa – from the East coast to the Chathams – exploring traditional hunting techniques and the kaupapa behind them. The focus is on hunting as a way of life and to provide kai, rather than as a recreational pursuit or paleo diet fad. Eight 30 minute episodes of hunting, fishing and bushcraft screened in 2016. Produced by Julian Arahanga and Awa Films, the series sprung from bow-maker Boynton’s large following on Facebook.
The odd couple is a longtime comic staple. In the 1970s Yorkshire emigre Craig Harrison turned the tale of a Māori and a Yorkshireman into novel Ground Level, a radio play, and this ground-breaking TV series. Joe (Stephen Gledhill) is the nervy, university-educated librarian; his flatmate is Koro (Rawiri Paratene) who works in a fish and chip shop. Running for two series, the popular chalk’n’cheese sitcom was a rare comedy amongst a flowering of bicultural TV stories (The Governor, Epidemic). Harrison’s novel The Quiet Earth later inspired a classic film.
Eating Media Lunch satirised mainstream media, from "issues of the day" journalism to reality television, to the society pages (lampooned in the "celebrity share market index index"). No fish was too big or barrel too small. Some of it was even true. Presenter Jeremy Wells kept a straight face over seven seasons, while investigating issues inexplicably missed by other media (e.g. the porno film made in Taranaki and shot in te reo, or ritalin-fueled reality programme Medswap). EML's seventh season won Best Comedy Programme at the 2008 Qantas Film and TV Awards.
In this Jam TV series, comedian Te Radar ditches 21st Century consumer luxuries and the city rat race to see if he can live sustainably for 10 months on a remote patch of land west of Auckland. His back-to-basics mission requires him to exist on only what he can hunt, grow and fish himself — putting delights like goat salami and home-made feta on the menu. He also explores topical green issues like the viability of solar power and whether simple steps such as composting and starting a worm bin can reduce landfill. The series also bred a book and a live show.
Launched on 5 April 1976, this television series heralded a new age in Kiwi screen drama. Indie talents Roger Donaldson and Ian Mune based their tales of success and failure on New Zealand short stories, after managing to negotiate funding from various government sources. Then the pair took the series to Europe, proving there was strong overseas demand for Kiwi stories. Winners & Losers became a perennial in local classrooms. In the backgrounders, Mune recalls the show's origins. There are also pieces on its place in local screen history, and its restoration in 2018.