Auckland's home of stand-up comedy, The Classic theatre in Queen Street, is the subject of this "behind the scenes" mockumentary TV series. Anchored by MC Brendhan Lovegrove, episodes follow a night's performances; onstage routines are intercut with action from the green room and front of house. The line between reality and self-deprecatory fiction is blurry, with the participants happy to send themselves up. Show biz glamour is in short supply and, at times, it's preferable to look just about anywhere except the screen. A second series screened in 2012.
Gloss was a popular Kiwi television drama series made by TVNZ that screened in the late 80s; it combined a wealthy family, the Redferns, with a lucrative high-fashion magazine business. Yuppies, shoulder-pads and méthode champenoise abound in this cult "glamour soap". New Zealanders wanted to see themselves as less bottom of the world and more "here we come and we are sailing" (as the infamous Cup campaign song warbled), and Gloss was just what the era demanded.
Play School was an iconic educational programme for pre-school children, which was first produced in Auckland from 1972, then Dunedin from 1975. The format included songs, a story, craft, a calendar, a clock and a look outside Play School via the shaped windows. But the toys, Big Ted, Little Ted, Jemima, Humpty and Manu, were the real stars of the show. The title sequence ("Here's a house ...") and music were a call to action recognised by generations of Kiwis. Presenters included actors Rawiri Paratene and Theresa Healey, Russell Smith and future MP Jacqui Hay.
The immortal Count Homogenized, a vampire with a white afro and cape and a lust for milk, lodged himself in the hearts of a generation of Kiwi kids. After first portraying the vampire in A Haunting We Will Go, actor Russell Smith took centre stage in 1983's It is I Count Homogenized. This follow-up series transfers proceedings from the haunted house trappings of the original to a suburban dairy, where Homogenized continues his mission to get his teeth into what matters: the milk. Trivia: the series was made in association with the NZ Milk Promotion Council.
Count Homogenized, the vanilla-clad vampire with a lust for milk made his debut on this ghost-flavoured children's series, before moving on to star in his own show. Russell Smith's portrayal of the mischievous The Count has lodged itself in the hearts of many Kiwi kids of a certain vintage and has become an — absolute original — icon of NZ TV. True Blood has nothing on The Count and his unending search for bovine liquid sustenance!
Beloved quiz show It's in the Bag was relaunched on Māori Television in a bilingual version, on 31 May 2009. Hosts Pio Terei and Stacey Daniels Morrison took the series to small towns across Aotearoa, from Waimamaku to Masterton. Over five seasons, the classic format remained largely the same, although the hosts were given more of an equal footing than had been the case in the past. Contestants from the audience answered three questions, before picking either the money or the bag — hopefully avoiding the booby prize, which might be a sack of kina or some bread.
Classic sci-fi TV series Under the Mountain follows the adventures of redheaded twins with psychic powers — Rachel and Theo — on their Auckland summer holiday. They meet the mysterious Mr Jones, an alien emissary who enlists them in the battle against the evil Wilberforces, who are plotting planetary destruction. Adapted from the Maurice Gee novel, the series' fx left their slimy imprint on a generation of NZ kids, haunted by the transmogrifying Wilberforces, who changed from humans into giant slugs slithering underneath Auckland’s volcanoes.
In an age before Rogernomics, and well before The Office, there was the afternoon tea fund, Golden Kiwi, and four o'clock closing: welcome to the early 80s world of the New Zealand Public Service. Gliding On (1981 - 1985) was the first locally made sitcom to become a bona-fide classic. The series was inspired by Roger Hall's hit play Glide Time and satirised a paper-pushing working life then-familiar to many Kiwis. Gliding On won several Feltex Awards including best male and female actors and best entertainment.
Before he was a British MP, Austin Mitchell spent time downunder, where he was a political science lecturer and wrote 1972 classic The Half Gallon Quarter Acre Pavlova Paradise. He was also a well known NZBC broadcaster in the 60s, fronting current affairs show Compass, and this parliamentarian interview series, which analysed Kiwi politicians, “in a manner that New Zealand audiences had never seen before” (Robert Boyd-Bell, New Zealand Television - The First 25 Years). The six subjects included PM Keith Holyoake; it was produced by future Hutt mayor John Terris.
This mid '70s ad campaign, made by the National Film Unit for the Tourist and Publicity Department, was aimed at the domestic market and offers nostalgic delights aplenty. 'Nightlife' focused on city bars and clubs, and 'Oldies' showcased options for retirees (scenic bus tours). Another version urged families to ditch the car (amidst the oil crisis) and take public transport to see the country; and in a classic of the genre pop star Craig Scott was a beach pied piper for adoring young Kiwis: "We're in God's own country, we gotta take the tiiiime ...".