The lyrics detail the intensity of thwarted love, and the accompanying video is a DIY delight — mixing an origami fortune teller concept with back-projected Animalia-style shadow puppets. From the 2008 EP This Machine, this video marked the first collaboration between design studio Special Problems (Campbell Hooper and Joel Kefali) and the band. The fertile partnership would go on to yield multiple music videos (including the breakout promo for ‘Young Blood’), plus the artwork on a number of their releases.
Though gifted with a typically driving chorus, this Naked and Famous track evokes a state of limbo and dissatisfaction. Winner of a New Zealand Music Award for Best Music Video of 2014, Campbell Hooper's clip is permeated by mist and mysterious, possibly violent events. Is that a murder playing out on screen, or merely someone getting the firewood ready? Are those men doing exercise, or punishing themselves? And is that Michelle Ang getting out of the pool? Longtime collaborator Hooper directed the video in New Zealand and the band's base in Los Angeles.
This music video continued the fruitful collaboration between The Naked and Famous and directing duo Special Problems. Joel Kefali and Campbell Hooper brought their trademark mix of graphic design, film and painting to the synth-driven pop song. As vocalist Alisa Xayalith moves through a dreamscape, she sleepwalks, runs, skates and flies through pine forest, snow, sand, and a manor. Ice hockey masks and hoodies add menace. It won Best Music Video at the 2011 NZ Music Awards, part of a major awards haul for the group. The song has featured on a number of TV shows.
The Sun was perhaps the most daring and experimental video yet for directors Joel Kefali and Campbell Hooper. Collaborating once more with electropop band The Naked and Famous, they scored their second award for Best Music Video with another track taken from breakthrough album Passive Me, Aggressive You (2010). The widescreen video is built around a series of split second shots of a man and a woman getting intimate. As the video continues, the images fracture, multiply, and become increasingly kaleidoscopic. Warning — this video is not suitable for younger viewers.
This Silver Scroll winner from the debut album by The Naked and Famous became a breakout hit, winning global notice and playing on a number of teen TV shows (Gossip Girls, Skins). Directed by Campbell Hooper and Joel Kefali, the promo won 10 million+ YouTube hits, playing no small part in announcing the band. Via a catalogue of Dazed and Confused-esque imagery, the clip puts its thumb on the pulse of the soaring synth-pop celebration of ‘Young Blood’: bonnet jumping, sparklers, skating and Badlands-style skylarking. The song won a Silver Scroll and an NZ Music Award.
This uplifting promotional clip is as famous as the chartbusting song. Accompanied by Jo, the breakdancing guide, for a tour of Patea and surrounds, the Patea Māori Club are captured "bopping and twirling like piwakawaka": at the local marae, in Wellington's Manners Mall, and on Patea’s main street, where milk tankers and sheep trucks pass by the Aotea canoe remembrance arch. So does the impresario himself: Dalvanius does a pūkana out a car window. In 2010 'Poi E' re-entered the charts thanks to Taika Waititi hit Boy. A documentary on the song was released in 2016.
An industrial backdrop is the smouldering set for tribal-style dancing, phosphorescent make-up and costuming, and a strong performance from guest vocalist Che Fu. Percussive samba rhythms kick off proceddings and BSM's infamous horn section, the Traxedos, make a flashy appearance, too.
Probably Graham Brazier's best-known track as a solo artist, 'Billy Bold' didn’t garner much radio play when released in 1981, but would go on to become a staple of Hello Sailor live sets. First appearing on Graham Brazier’s debut solo album Inside Out, the ballad is based on the infamous 1981 riots in Toxteth, Liverpool. The song came to Brazier in a dream; he was drawn to the topic because his working class father came from Liverpool.
A young, blonde and big-haired (it was the early 80s) Jordan Luck and his fellow band members hang out in Auckland's old Leopard Tavern for this sing-along classic. Model Debra Mains — star of a number of DD Smash videos of the time — smoulders as the spurning lover. A rest-home of elderly extras join in for the famous chorus. The dial phone looks positively pre-industrial. The song was voted number 89 in the APRA Top 100 New Zealand songs of all time; the Dance Exponents' debut studio album Prayers Be Answered stayed in the charts for a year.
The video for this Red Nose Day chart-topper makes the most of a powerhouse combination: celebrities and cute babies. Although lead singer Hammond Gamble gets his share of screen time, the result is largely devoted to close-ups of perhaps the biggest pile-up of famous Kiwis to cram into a single music video. The faces include appearances early on by Simone Kessell, Ilona Rodgers, and Aussie actor Mark Raffety — plus The Wizard, sports legends Grant Fox, John Kirwan and Jeremy Coney, newsreaders Judy Bailey and Anita McNaught, and singers Tina Cross and Suzanne Lynch.