Host and MC Brendhan Lovegrove goes behind the scenes of Pro Night at The Classic Comedy Club in Auckland, in this first episode of this accomplished mockumentary series. Irene Pink, Andre King and Ben Hurley are the evening's performers. Backstage, barely concealed jealousies and rivalries simmer in a less than salubrious green room. Meanwhile, Brendon Pongia, from TVNZ's Good Morning show, is in the audience and pulses quicken at the prospect of an off-peak network TV interview. No-one is safe and beware for moments of excruciating viewing.
On 10 April 1968 the Lyttelton–Wellington ferry Wahine ran aground and sank at the entrance to Wellington Harbour. Fifty-three people died as a result of the accident, 51 on the day. These news features include aerial footage of the ship after the storm, and NZBC reporters conducting dramatic interviews with survivors, police and the head of the Union Steam Ship Company. Coverage was only seen by mainlanders after a cameraman rushed to Kaikoura and filmed a TV set that could receive a signal from Wellington, then returned to Christchurch so the footage could be broadcast.
This 2003 documentary examines what drove two of New Zealand’s most internationally successful golfers. Future 2005 US Open champion Michael Campbell and Phillip Tataurangi look back on their careers to date, and the part played by their Māori ancestry. Their natural talents are set against the hard work, supportive whānau and determination required to succeed on golf’s biggest stages: fro both being part of the Kiwi team that won the Eisenhower Trophy in 1992 to success as professionals on PGA and European Tours. Campbell retired in 2015.
Roughly four years after debuting on A Haunting We Will Go, Count Homogenized made a memorable re-entrance in his own series. This fifth episode has the simplicity of a good cartoon: disguised as a movable charity bin, the vampire endeavours to trick or talk his way past the local dairy owners, on his endless mission to make it to the milk supplies. Aside from Russell Smith in full comic flight as the Count, Lynda Milligan takes the New Zild accent in dramatic new directions as no-nonsense shopkeeper Rhonda Dearsley.
Fifteen wannabe comedians combat nerves and a tight deadline in this first episode of talent quest So You Think You're Funny. The first task for judges Jon Bridges, Raybon Kan and Paul Horan is to eliminate five contenders from the line-up. The contestants are given a few days to write and practise a short set, before performing it in front of a live audience at Queen Street's Classic Comedy Bar. This scenario would be terrifying for most, and it confirms a harsh truth that Horan offers early on: "If the audience hates you, there's not a lot we can do'. One hundred people originally auditioned.
Twenty three years after Foreskin's Lament became a Kiwi cause célèbre, writer Greg McGee brought his classic play to television. Skin and Bone "asset strips" and updates the story to reflect rugby (and society's) evolution. Here Seymour (Outrageous Fortune's Antony Starr) — falteringly pursuing a professional career — returns home to play a last game for his rural club side. The brutality he witnesses leaves him questioning the morals of the code. The role of the old guard coach is reprised by Roy Billing, in McGee's opinion "the first and definitive Tupper".
A stylish title sequence sets the tone for this NFU short on motor racing in the early 60s. Shot during the golden age of the sport, it begins with amateurs competing in Dunedin's 'round the town' race (won by future Formula One champ Denis Hulme), then shifts north to Auckland for the New Zealand International Grand Prix. 60,000 spectators watch world champ Jack Brabham and local hero Bruce McLaren battle for the title. Also included are classic summer shots of the world's top drivers relaxing on the beach, and Australian racer Arnold Glass teaching McLaren to waterski.
Each episode of Going Going Gone introduces sellers as they head to auction, and then sees if buyers agree with their valuations when the items go under the hammer. This opening episode heads to Turners for a classic car auction, and follows a woman selling off her antique family furniture, as her heirlooms are assessed then presented for sale by auctioneer James Parkinson. The show ends with a teaser: the arrival of a bejewelled solid gold bull at Webb’s auction house. The long-running popular factual show was made by Greenstone Productions for TVNZ.
This first episode of this much-loved kids series explores all things to do with lighthouses. It begins with a visit to Nugget Point; then things get eclectic. Earnest informational TV is interspersed with psychedelic graphics, cartoons, a sea shanty ("I want to marry a lighthouse keeper"), and funky lighthouse-themed songs. We meet Don (a lighthouse stamp collector); uncover the mysteries of how a ship fits into a bottle; and the three young presenters deconstruct their attempts at painting lighthouses, including a fine abstract effort from co-presenter Ray Millard. Classic.
The theatre of sport is given full-blown operatic treatment in this National Film Unit classic. Footage from the French 1979 rugby tour of New Zealand is rendered in slow-motion and cut to a Tchaikovsky score. The result is an often glorious, sometimes tongue-in-cheek, paean to rugby. Balletic lineouts, driving tackles, and the dark mysteries of the ruck, make for a ballsy Swan Lake in the mud. It includes the Bastille Day French victory over the All Blacks. Directed by NFU stalwart Arthur Everard, it won a jury prize at the Montreal World Film Festival.