In 1968 John Rowles scored a top three hit in the UK. Late that year he returned to New Zealand to a rapturous welcome. A fly-on-the-wall documentary was made about his homecoming tour, from which this clip of Rowles performing ‘M’Lady’ is taken. On the tour he launched 'M’Lady' as his next NZ single; he tells an Auckland DJ that it's his best "uptempo" song yet, and the tune scores scenes of Rowles galavanting around a playground with a cigar, pretending to drive a tractor, and licking an ice cream on the beach. 'M’Lady' went on to top the Kiwi charts.
The Crocodiles were on tour supporting their second album, Looking at Ourselves, when this video was shot in Dunedin. Though he’d left the touring unit, Fane Flaws still provided material and was co-writer of ‘Telephone Lover’. Dunedin’s old Bing Harris Sargood building provides the backdrop for most of the video, while the ‘live’ sections were shot at the now-defunct Shoreline Tavern. Dunedin cameraman Peter Janes directed and filmed the segment for regional news programme The South Tonight.
'Azania' is an impassioned anti-apartheid song written for the Auckland reggae band by law student Ross France. Led by original Herbs vocalist Toni Fonoti, it helped to establish the band’s political credentials at a time when New Zealand was split by the 1981 Springbok Tour. Azania was the name given to a post-revolutionary South Africa by the Pan African Congress. There are name checks for black African leaders Steve Biko and Nelson Mandela; and the chant “Angola! Mozambique! Zimbabwe! Azania!” was quickly incorporated into anti-tour protest marches.
The first single from Bic Runga’s chart-topping second album Beautiful Collision is — according to AudioCulture's profile of the singer — an autobiographical song about the stresses of touring. 'Get Some Sleep' peaked at number three in the New Zealand charts, and was the best-selling song by a local artist in 2002. Two videos were made; the version aimed at local audiences sees Runga roaming Aotearoa in a mobile radio station playing CDs and records, greeting fans and generally broadcasting happy vibes: Yes...we do believe Bic may be having fun.
‘Cruise Control’ is one of the Headless Chicken’s most poppy and accessible songs, and became a hit in New Zealand, and (in remixed form), in Australia. This studio shot promo, for the ‘Eskimos in Egypt’ remix, has Fiona McDonald and the Chickens packed into a touring car cruising to old school rear projected nighttime cityscapes. It’s dark and moody: a wry touch of Hollywood glamour mixed with early 90s Auckland - dated by Knight Rider, bling and brick-sized mobile phones.
This uplifting promotional clip is as famous as the chartbusting song. Accompanied by Jo, the breakdancing guide, for a tour of Patea and surrounds, the Patea Māori Club are captured "bopping and twirling like piwakawaka": at the local marae, in Wellington's Manners Mall, and on Patea’s main street, where milk tankers and sheep trucks pass by the Aotea canoe remembrance arch. So does the impresario himself: Dalvanius does a pūkana out a car window. In 2010 'Poi E' re-entered the charts thanks to Taika Waititi hit Boy. A documentary on the song was released in 2016.
Rappers Upper Hutt Posse were the first New Zealand hip hop act to release a record (and one of the most radical). This reflection on troubles at home and abroad brings out a more reflective side. Against news footage of the Springbok Tour, Bastion Point and a host of international trouble spots, the sweet soul vocals of Teremoana Rapley and Acid Dread (aka Steve Rameka) float in and out of the raggamuffin toasting of MC Wiya (Matt Hapeta) and Dean Hapeta’s less than cheery weather forecast. This music video was one of the first to be funded by NZ on Air.
After Bic Runga's debut album Drive sold — and broke — a bunch of records, another five years passed before she found time to perfect her follow-up. Fears it would join the long list of disappointing second albums proved unfounded: Beautiful Collision scored three NZ Music Awards, and became the biggest-selling local release of 2003. The album's third single 'Listening for the Weather' spent 20 weeks in the Kiwi charts. Shot mostly on DV and Super 8mm, the video offers a snapshot of life on tour: dressing rooms, concert halls, road signs...and lyrics about home not being too far away.
This song is taken from the only new album released in the 1990s by Kiwi music legends Hello Sailor. In an AudioCulture profile of the band, writer Murray Cammick praised the Dave McArtney-penned track as one of two strong additions to the Hello Sailor canon (alongside song 'New Tattoo', also from 1994). The music video features the band playing (on a Ponsonby street, in a derelict building) intercut with archive clips (famous sporting moments, returned servicemen, Edmund Hillary, hikoi, the Beatles tour), echoing the song’s lyrical themes of waning memories and nostalgia.
This song is from New Zealand’s troubled winter of 1981. The Springbok Tour gave the term “riot squad” currency throughout the country — but the Auckland live music scene and the police were already enduring a very fraught relationship. This number from Auckland ska/soul band The Newmatics, released on the band’s Broadcast OR double 7" EP, was actually written about a 1980 police raid on XS Cafe in Airedale Street. The Keystone Cops music video is classic early 80s TVNZ Avalon and features actors Ross Jolly and Michael Wilson as two thirds of the 'blue shadow'.