This six-part All Blacks history showpiece series was commissioned by TVNZ in time for the lead-in to the 1999 Rugby World Cup. Broadcaster Keith Quinn and a six-person crew set off on "one of the most enjoyable and stimulating experiences" of Quinn's career. With Quinn as a genial guide (as both fan and expert), the episodes are framed around the All Blacks’ great rivalries with Britain, South Africa, and Australia; the Rugby World Cup; All Black captains and coaches, and a fascinating episode dedicated to the shift to professionalism after the 1995 World Cup.
Never broadcast on local TV, Men of the Silver Fern was made for the NZRFU (now known as New Zealand Rugby) for its 1992 centenary. Four hour-long programmes provided a chronological celebration of all things All Black, told via archive footage and over 40 interviews with players, officials and historians (reenactments illustrate the early era). Originally planned as a single programme, it was decided to release the four episodes as a ‘collector’s edition’ VHS box-set. Peter Coates directed, and produced with Keith Quinn and rugby administrators Ces Blazey and Ivan Vodanovich.
This three part mini-series is loosely based on the remarkable tour by the NZ Natives rugby team which played 107 games in Australasia and Great Britain in 1888-89. At its heart is a cross-cultural love story between Pony — the grandson of a chief and one of the side’s stars — and Charlotte: the granddaughter of an English Earl (Ian Richardson of House of Cards fame). The tour provided the first exposure to Māori for many in the UK. The interaction could be uncomfortable but even more so when affairs of the heart threatened the cultural divide.
These short profiles of then-current All Blacks were made for TV3 as part of a pre-Rugby World Cup 2007 series. Each involves an interview with the player in a formative context for them, eg. their hometown, club ground, old school or favourite surf beach. The interviewer is James Gemmell, and interviewees included tighthead prop Carl Hayman, flanker Jerry Collins, hooker Anton Oliver and fullback Mils Muliaina. The players are relaxed and surprisingly candid, as Oliver says when reflecting on the burden of captaincy: “I was sh*tting myself for a while.”
This four-part series from 1996 presents the game of rugby as a mirror for New Zealand social history. Written by Finlay Macdonald, it sets out to explain how rugby became such an intrinsic part of New Zealand's identity. Each episode visits iconic paddocks (from schools to stadiums) and players (from amateurs Nepia, Meads, and Shelford, to professional star Lomu); and observers muse on the influence of the inflated pig's bladder on Kiwi culture, including historian Jock Phillips, writer Ian Cross and journalist TP Mclean.
From 2009 to 2013, The Erin Simpson Show was a staple of TVNZ’s after school programming. The magazine format took in interviews (including Justin Bieber and Selena Gomez), mini-soaps, competitions, social media and reports covering fashion, sport and entertainment. Presenter Erin Simpson hosted over 770 episodes, and was a familiar face to a generation of Kiwi kids. The show’s many reporters included actor Kimberley Crossman, singer Ruby Frost, rugby player Isaac Ross, and conservationist Nicola Toki. The show was produced by Whitebait TV (now Whitebait Media).
The first series of Decades in Colour sourced home movies from over 800 New Zealanders, to look back at life from the 1950s to the 1970s. Presented by Judy Bailey, it screened on Prime. Mixing lost images and new interviews, three hour-long episodes each focussed on a different decade: from the post-war suburbia of the 50s, to rugby, racing and beer in the 60s, to emerging challenges to cultural norms in the 70s, as jet travel and TV broadened perspectives and a more independent national identity emerged. A second series debuted in October 2017, focussing on work, home and play.
Great War Stories is a series of 35 four-minute documentaries remembering New Zealanders in World War l. The first season debuted in 2014, a century after the war began. Screening during TV3's prime time news, the bite-sized docos chronicle Kiwi experiences in the conflict, from soldiers, pilots, nurses, rugby players and war horses, to tragedies on land and sea. NZ Herald writer Greg Dixon praised the series as "an object lesson in how a tiny part can speak for the whole". Great War Stories was directed and produced by Anna Cottrell (Children of Gallipoli).
Off the back of the success of A Week of It and McPhail and Gadsby, Jon Gadsby was given his own gig, as writer of this gentle, rural based sitcom series. His comic partner David McPhail was not involved, but writer AK Grant was on board as script editor. Gadsby’s onscreen involvement was limited to cameo appearances, as a highly competitive rugby coach. Set in the rural backwater of Rabbit Flats, the series drew on Gadsby’s experiences as a barman in the Southland town of Dipton, and allowed him to revisit the bar-based skits of A Week of It.
Anthology series Ao-Terror-Oa showcased Kiwi horror to the world. Funded by NZ On Air and YouTube, the six episodes mixed a range of horror with "everything Kiwi" —including farms, rugby and holidays. Alongside the show, behind the scenes clips and two companion series were released via YouTube and official website 6 Weeks of Horror. The darkly humorous Basement of Horror offered demonstrations of behind the scenes makeup tricks. Hweiling Watches hooked up Ao-Terror-Oa producer Hweiling Ow to a heart monitor, while she viewed classic horror movies.