This three-part documentary series was made to mark International Women's Year in 1975; it provides rare and precious interview footage with three of New Zealand's most celebrated writers; Sylvia-Ashton Warner, Janet Frame and Dame Ngaio Marsh; who each reflect on their life and philosophy. In the case of Ashton-Warner and Marsh, these documentaries were filmed in the last decade of their lives. Three New Zealanders was produced by John Barnett for Endeavour Films.
Produced by Greenstone Pictures, Mercury Lane was a story-driven arts show that screened late on Sunday nights on TV One, from 2001 until 2003. Each hour-long episode of this 'front-person free' show included a cluster of short documentaries covering a wide range of subjects including poetry, visual art, music and performance.
Serial Killers pokes fun at a group of characters that write for a Shortland Street-esque TV soap called Heart of Hearts. Around the "table of pain" sit irrational Pauline (Robyn Malcolm, who claimed a 2005 Qantas Award for her performance), in the midst of a messy divorce from series co-creator Alan (John Leigh); boozy ex-nurse Simone; name-dropper Matt (Oliver Driver); and ditzy ingénue Elaine. Created by prolific writer James Griffin (Outrageous Fortune, Gloss, Mercy Peak, Shortland Street etc) and based on his award-winning play, it screened in 2005.
Under the Covers is a spin-off series from the TVNZ 7 book series The Good Word, compiling reporter Finlay Macdonald’s 10-minute pieces on great New Zealand books into a programme of their own. Each episode features three books and tells the story behind them with a mixture of interviews, readings and archive footage.
The Grunt Machine began life in May 1975 as a pop culture show for 12-20 year olds playing four days a week at 5.30pm. Presented by Andy Anderson, it featured music and reporter based items. Pulled in August, it returned in September as a much hipper late Friday night rock show fronted by David Jones. The 1976 season started with Paul Holmes (in his first presenting role) and featured a Split Enz special for its first show. Fellow DJ John Hood took over later in the year (lying on cushions to do his links). The final Grunt Machine aired in December 1976.
A flagbearer for Māori storytelling on primetime television, E Tipu e Rea (Grow up tender young shoot) was a series of 30 minute dramas touching on a range of Māori experiences of the Pākehā world — from rural horse-back riding and eeling, to urban hostility and cultural estrangement. It marked the first anthology of Māori television plays, and the first TV production to use predominantly Māori personnel. E Tipu e Rea's mandate and achievement was to tell Māori stories in a Māori way.
Off the back of the success of A Week of It and McPhail and Gadsby, Jon Gadsby was given his own gig, as writer of this gentle, rural based sitcom series. His comic partner David McPhail was not involved, but writer AK Grant was on board as script editor. Gadsby’s onscreen involvement was limited to cameo appearances, as a highly competitive rugby coach. Set in the rural backwater of Rabbit Flats, the series drew on Gadsby’s experiences as a barman in the Southland town of Dipton, and allowed him to revisit the bar-based skits of A Week of It.
This children's post-apocalyptic fantasy series follows a circus troupe, Maddigan's Fantasia on their quest to save the world's only remaining city, Solis. The show was created by children's writer Margaret Mahy, developed for television by writers Gavin Strawhan and Rachel Lang for South Pacific Pictures, who produced the 13 x 30min series for TV3. Award-winning and successfully exported, it marked a debut lead performance from Rose McIver (future Tinker Bell in US TV show Once Upon a Time) acting with Michael Hurst, Peter Daube, Tim Balme and Danielle Cormack.
Infamous, short-lived, and arguably unfairly maligned, The Neville Purvis Family Show was hosted by the occasionally foul-mouthed and very Kiwi Neville Purvis — in reality, writer and musician Arthur Baysting (Sleeping Dogs). The series is best known for containing possibly the first use of the f-word on New Zealand television. The full episode containing the controversial utterance has likely been lost; surviving material from the show includes appearances by PM Rob Muldoon, actor Marshall Napier as Neville's mechanic mate, and Limbs Dance Company.
The last drama to be made in-house by TVNZ, The Champion was written by author Maurice Gee at the behest of producer Ginette McDonald after the success of their collaboration on The Fire-Raiser. Set in Henderson, West Auckland over three weeks in early 1943, it centres on 12 year old Rex (Milan Borich — later the lead singer in Pluto) and a black American GI billeted with his family. This tough, accomplished drama looks unflinchingly at racism and prejudice — both imported and local — and is ample testimony to the skills of its writer, cast and crew.