Kora’s formation in Wellington in 2002 saw them associated with the city’s burgeoning dub-roots scene, but the Whakatane brothers’ music mix also extends to elements of funk, soul, rock, house and metal. That genre-defying diversity is in evidence on this track from their debut album, as a relaxed reggae intro gives way to stomping electronica-tinged funk rock. This performance video shot in Auckland at AUT’s Vesbar captures the band in their live element, complete with a crowd-pleasing freeze that turns them into a 3D tableau, and strobe-lit climax.
Clever lighting and plenty of rain feature on the video for this chart-topping P-Money track. As he had with Scribe's breakthrough hit 'Stand Up', P-Money melds Scribe's rapping talents with loud guitars. Directed by Greg Page, the moody widescreen clip also features Elemeno P's Justyn Pilbrow on guitar, and Sam Sheppard from 8 Foot Sativa on drums. 'Stop the Music' appeared on P-Money's second studio album, NZ Music Award-winner Magic City (2004).
Released as the follow-up to Emma Paki’s acclaimed debut (‘System Virtue’) this song was produced by Neil Finn. It made it to five on the local charts. Prolific music video director Kerry Brown (Four Seasons in One Day, AEIOU) helms the redemption story. Paki — in full-colour and fern headdress — sings about the power of pounamu, while actor Cliff Curtis (Once Were Warriors, Fear the Living Dead) plays a roadie adrift in the city in black and white. When things go awry on K Road outside McDonalds, Curtis heads to the bush for spiritual succour from Paki in a waterfall.
'One Will Hear the Other’ offers all the trademarks of a Shihad classic — epic guitars, driving drums and a chorus tailor-made for joining in at one of the band’s legendary live shows. Directed by Australian Toby Angwin, and shot in Shihad’s then hometown of Melbourne, the video features performance footage of the group projected on to central city buildings, alongside a narrative implying this is the work of a group of guerilla street artists. The song was the lead single from 2008’s Beautiful Machine album, which debuted at number one on the New Zealand Top 40 chart.
This 1978 single marked the first number one for the Kiwi prog rockers turned Australian pop stars. It danced around the age of consent (the first line of the song gave the impression the narrator may be in jail). Later the song became the theme tune for 2012 Aussie TV show Puberty Blues. A time capsule of 70s Melbourne, the clip opens on singer Marc Hunter aimlessly wandering the city's streets and tramways, before transitioning to a glossier studio performance. Like many of the band's biggest hits, the song was written by Dragon's resident hook-writer, keyboardist Paul Hewson.
The feverish complexity of Flicker is captured in this video collaboration between Fetus Productions' Jed Town and director Alex Proyas (The Crow, Dark City, promos for INXS, Crowded House, Mike Oldfield). The pair deliver a terrifically haunting clip, skillfully creating an intensely serpentine work full of dark frames and layered, unnerving images. Yikes.
Upper Hutt-born singer Jon Stevens pulled off the remarkable feat of having consecutive number ones on the New Zealand Top 40 with his first two singles. 'Montego Bay' was the second (taking over from 'Jezebel' in January 1980). It was a cover of a one-off 1970 hit for American Bobby Bloom, written for the second largest city in Jamaica. The cut-out palm trees of the studio set were as close as Stevens and band got to the Caribbean. 'Montego Bay' stayed at the top of the chart for two weeks and was voted 'Single of the Year' at the New Zealand Music Awards.
Peking Man's self-titled album took away a stack of awards in 1986. It also spawned chart-topper 'Room that Echoes', followed by number six hit 'Good Luck to You'. Directed by The Piano lensman Stuart Dryburgh, thw NZ Music Award-nominated video highlights sibling singers Pat and Margaret Urlich, sax and gel-assisted hairstyles. The Auckland cityscape is littered with construction cranes and glass high rises, shortly before the stock market crash of 1987; and legendary central city cafe DKD (at the back of the Civic Theatre) also takes a starring role.
Mixing nostalgic home movie style footage with images of Age Pryor looking slightly melancholic, this video dates from the singer's second solo release, City Chorus, released in 2003. Pryor went on to co-found the Wellington International Ukelele Orchestra, and contribute songs and vocals to ensemble album The Woolshed Sessions.
Early standard bearers for the Flying Nun label, The Clean ended their first incarnation with this abrasive, rollicking, darkly-humoured take on the aging process (featuring backing vocals from Chris Knox and some Robert Scott trumpet). Ronnie van Hout, who designed much of the label's early artwork, turned his hand at directing for this clip. Without a budget, he utilised the Christchurch service lanes and aging inner city buildings which housed so many of the local music industry's bars, clubs and rehearsal rooms (and a succession of early Flying Nun offices).