Though gifted with a typically driving chorus, this Naked and Famous track evokes a state of limbo and dissatisfaction. Winner of a New Zealand Music Award for Best Music Video of 2014, Campbell Hooper's clip is permeated by mist and mysterious, possibly violent events. Is that a murder playing out on screen, or merely someone getting the firewood ready? Are those men doing exercise, or punishing themselves? And is that Michelle Ang getting out of the pool? Longtime collaborator Hooper directed the video in New Zealand and the band's base in Los Angeles.
The video for this Phoenix Foundation single features Bret McKenzie excavating a deep hole, in a landscape that evokes the work of Russian director Andrei Tarkovsky (although Loren Taylor's video was actually shot in a clearing close to Wellington's wind turbine). The band turns up to watch, and the man finds eye-opening liberation from his toil. Vocalist Samuel Flynn Scott credited inspiration for the song to musician Lawrence Arabia’s recipe for satisfaction: ditching dreams of success, in order to enjoy making music. The result was a finalist for the 2016 APRA Silver Scroll.
Soul songstress Hollie Smith looks gorgeous in a fierce kind of way, in this clip directed by Preston McNeil. Auckland bars Hotel DeBrett and Sale St gleam, and there are clowns, stylish assassins and a mysterious crime. Not to mention celebrity cameos galore — including Danielle Cormack, future Westside actor Pana Hema-Taylor, and music TV hosts Shavaughn Ruakere, Nick Dwyer and Helena McAlpine. Topping it all off: surely the longest credits sequence in the history of Kiwi music videos.
The lyrics to Greg Johnson's ‘Looking out on Monday’ pay tribute to the satisfaction of sleeping in, and skiving off work; they also mention recognising that “failure is in your lover’s eyes”. Johnson's long time musical collaborator Ted Brown appears in the video as the friend who pops over to Greg's place (in Los Angeles?) to say hello. 'Looking Out on Monday' is taken from 2008's Seven Day Cure, which NZ Herald critic Russell Baillie called “one of the most fully realised Johnson albums yet”. The track was included in Dustin Hoffman / Emma Thompson romance Last Chance Harvey.
'Royals' took Lorde far indeed. The Auckland teen found herself topping the charts in ten countries, with her debut single (which she co-wrote with producer Joel Little). The award-winning music video has been seen a mind-boggling 680 million+ times online. The clip was born from conversations between Lorde and director Joel Kefali about what it was like to be a teen in Auckland. Kefali has said the intent was to "capture a mood, capture a particular (sometimes ignored) slice of teenage life". The American version of the video features slightly more of Lorde than the original.
This music video features Greg Johnson sitting in front of a kaleidoscopic green screen, while the backdrop changes through green paddock to wavy blue, and everything in between. Alongside the Kiwi scenery, Johnson sings of a woman he is extremely keen to know better. The clip’s final shot reveals a different locale than expected. 'Cut to the Chase' is taken from 2000 album Sea Breeze Hotel, which NZ Herald writer Russell Baillie praised as expressive and wide-ranging.
A song that manages to feel fast and gentle all at once, 'Hey Little' marked the first single for Auckland band Pluto. The low-tech stylings of the music video evoke the feel of a home movie; the shots of children, pets and good times with friends and family are an appropriate match to the lyrics, which evoke a parent talking affectionately to a child. 'Hey Little' vocalist Milan Borich was first seen in front of the cameras at age 12, as one of the stars of 1940s-set TV drama The Champion.
The first single from Goldenhorse's second album is an insistent lover's plea that marries Kirsten Morrell's vocal dexterity to a driving tempo. In the music video for the Auckland folky rockers director Adam Jones disdains the big wide shot for disembodied images and details of the musicians performing. A vibrant Morrell, resplendent in red (rather than the lyric's lady in white) captures the centre of attention, with her band mates providing a textured background — and workout for the focus puller.
Featuring artwork by Grammy-nominated Kiwi Sarah Larnach — whose art has been a key feature on Ladyhawke's albums — the music video for My Delirium weaves between reality and a dreamscape where cats dominate the Mount Rushmore sculpture, and Ladyhawke soars through space in a car. The video opens with the singer in a dreary roadside motel, before animated artwork on the wall comes to life, featuring a cartoon Ladyhawke walking out of the motel and hitting the road in a classic convertible. The musician won six Tuis at the 2009 NZ Music Awards.
'Touchdown' was drawn from the second (and final) Stereo Bus album Brand New (1999). The stylishly minimalist video, directed by Alex Sutherland and Michael Lonsdale, appears to be a continuous shot, circling around band members and objects in a white studio set. Biffed chairs and bottles, and singer David Yetton, get up close to the lens while guitarist Jason Fa'afoi (who was co-hosting What Now? at the time) also makes multiple appearances. The slow pan matches the tempo of the band’s textured guitar pop; the promo won Best Music Video at the 2001 NZ Music Awards.