With its mysteriously instructive "do the alligator" lyric, 'Alligator Song' is still a crowd-requested favourite at Bill Direen's live shows. The song is taken from the Flying Nun LP CoNCH3 that featured a new line-up of the Bilders, including bassist Greg Bainbridge and drummer Stuart Page. The video's moody feel and emphasis on the physical movement of an exotic dancer in the back alleys of Christchurch reflect Direen's previous projects with Blue Ladder Theatre. The location was badly damaged in the February 2011 earthquake and is now in the red zone.
The shoot required a diverse crowd of coasters (Hibiscus Coast) in order to portray the feeling of unity and multicultural inclusiveness the band were after. "The idea of us playing in a community hall was to give it that inclusive feel, rather than a clichêd scrappy street punk vibe. We wanted our audience to know that we're more than that. At one stage I had to hold up a big sheet with lyrics on it, pointing out the words for the crowd as we went along."Chaz from The Rabble - Feb 09
A compilation of four short ditties from the Tall Dwarfs’ Fork Songs album - ‘Wings’, ‘Lowlands’, ‘Oatmeal’, and ‘Two Humans’. The linked clips all feature assorted forms of stop frame animation and film scratching - Wings has a hand-drawn animated border; Lowlands uses the phone book as a background for a range of animated doodles; Oatmeal does unspeakable things with two raw chickens and other meat products; and Two Humans flickers through what seems like hundreds of different human faces. Simple but clever, as is the Chris Knox way.
In 1995 Flying Nun released compilation CD Abbasalutely, made up of ABBA covers from their stable of artists. Headless Chickens contributed with this decidedly heavy cover of 'Super Trouper', ABBA’s ninth and final UK chart topper. The monochrome music video for the remake takes place at the RNZAF Base at Whenuapai, with the Chickens adopting many precarious positions on top of aircraft. It was directed by Jonathan Ogilvie, who helmed numerous Flying Nun music videos. The song's title was inspired by a popular concert spotlight.
This ambitious video for Head Like a Hole's cowpunk Bruce Springsteen cover was shot by commercials company Flying Fish — at vastly more expense than the low budget recording which supplies the soundtrack. There's more than a cursory nod to U2's LA rooftop video for 'Where The Streets Have No Name' (including fake radio coverage from Channel Z). But HLAH get a higher building, and, unlike U2's guerrilla effort, the apparent blessing of the city fathers (with Mayor Mark Blumsky on site). The video marked one of the last appearances of drummer Mark 'Hidee Beast' Hamill.
This all star cover of Mutton Birds classic ‘Anchor Me’ was made to mark the 20th anniversary of the sinking of Greenpeace ship Rainbow Warrior. After Hinewehi Mohi’s haunting introduction, singers including Anika Moa, Kirsten Morrell (Goldenhorse) Che Fu, and Milan Borich (Pluto) walk towards the camera across a washed out landscape. Nuclear blasts, pollution and Greenpeace vessels can all be seen, while doves pull rainbows across the screen.
This was the song that started it all for The Exponents. Instead of the usual TVNZ studio cheapie, the promo is a film clip, complete with fantasy 80s Christchurch night-life scenes. The song was inspired by Jordan Luck's onetime landlord, who was trapped in an abusive relationship. Locations include the Arts Centre and deco apartments opposite. Reaching number six, the song would prove to be the biggest hit on a debut studio album packed with classics. Luck later described it as "a strange song to pick as a first single"; but the right one.
This is a cleverly-choreographed one shot video for the Kiwi classic written by Dobbyn when based in Sydney. (Even if it's debatable whether the moving house/moving on imagery actually suits the lyrics of the song.) Dobbyn's jersey and his video girl's entire get-up firmly date-stamp the romance and real estate story in the 80s, but the song has outlasted the knitwear: In 2001 APRA members voted it the third-best New Zealand song of the 20th Century. Loyal was later used by Team New Zealand as its campaign song for its 2002 defence of the America’s Cup.
'Sierra Leone' was one of those songs that quickly stood out from the pack. Andrew McLennan's synth-pop track won his new band Coconut Rough a deal with Mushroom Records, then became a runaway hit in 1983. The video, slick for the time, features bright colours, a running motif, and African imagery. But the pressure of being in demand for a single song became an albatross around the band's neck. As McLennan told website AudioCulture, "‘Sierra Leone’ became the only song from our repertoire that people wanted to hear and no matter what we did we couldn’t follow it up."
A lone boy in the wilderness and a mysterious airborne menace feature in this evocative, NZ Music Award-winning video for Avalanche City (aka musician Dave Baxter). Discovering a stag who’s fallen victim to the abstraction from the sky, the boy takes it upon himself to fight back, before it can inflict more damage on the forest’s residents. Despite the song being a last minute inclusion on Avalanche City’s second album We Are for the Wild Places, it later became the only Kiwi song to hit number one in 2015. An earlier video for the song was shot in one extended take on Raglan beach.