After 15 years on TV One, Paul Holmes left his high-rating slot for rival network Prime. New half-hour show Paul Holmes debuted in February 2005, but poor ratings meant it lasted only six months. The following April, Prime debuted the hour-long Holmes, which concentrated on longer interviews with people from business, the arts, sports and politics. Holmes argued the format allowed him the “opportunity to find out what makes the guests tick”. He called it “a style of broadcasting that has been missing from the New Zealand television landscape for a number of years”.
Beloved quiz show It's in the Bag was relaunched on Māori Television in a bilingual version, on 31 May 2009. Hosts Pio Terei and Stacey Daniels Morrison took the series to small towns across Aotearoa, from Waimamaku to Masterton. Over five seasons, the classic format remained largely the same, although the hosts were given more of an equal footing than had been the case in the past. Contestants from the audience answered three questions, before picking either the money or the bag — hopefully avoiding the booby prize, which might be a sack of kina or some bread.
This cult late-night series mixed bogan hijinks and Jackass-like stunts. Chris Stapp and Matt Heath first unveiled stuntman Randy Campbell and host Danny Parker on Auckland community station Triangle Television. The TV2 version of the show centres around a mock live format, with music by house band Deja Voodoo. Car crashes and fight scenes are regular fixtures, and TVNZ did not rush to screen it. The first season played on MTV2 in Europe and Channel V in Australia. A second followed on C4 in 2008. There was also a spin-off movie in 2007, The Devil Dared Me To.
This major documentary series chronicles the first half century of Kiwi television. Made for the Prime network (after being declined by TVNZ), it examines the medium’s evolution across seven episodes. After an opening 70 minute overview, individual programmes covered the stories of sport, entertainment, drama and comedy, protest coverage, New Zealand identity and Māori television — with an impressive array of interviews, and 50 years worth of telly highlights. John Bates was nominated for Best Documentary Director at the 2011 Aotearoa Film and TV Awards.
Keith Aberdein devised Epidemic after being given the brief to write a drama about “disease coming into New Zealand”. Set in a small North Island town where race relations are strained to breaking point, this four part virus outbreak thriller revolves around Māori tāpū and an archaeological dig which locals are worried will disturb the graves of their ancestors. An accomplished cast (Martyn Sanderson, Don Selwyn, Cathy Downes) helped the series break bicultural-themed TV drama ground as European education and culture, and Māori tradition and spirituality collide.
Dilemmas sought to give advice to New Zealanders on how to negotiate their day to day lives. Hosted by Australian doctor Kerryn Phelps (and later by Marcus Lush) with a rotating panel of guests, the show covered everything from annoying neighbours to harassment and violence. Guests included Jude Dobson, Philip Alpers, Ginette McDonald and Genevieve Westcott. A regular media commentator in Australia on health matters, Phelps became the first woman elected to head the Australian Medical Association; in 2011 she received an Order of Australia, for services to medicine.
The odd couple is a longtime comic staple. In the 1970s Yorkshire emigre Craig Harrison turned the tale of a Māori and a Yorkshireman into novel Ground Level, a radio play, and this ground-breaking TV series. Joe (Stephen Gledhill) is the nervy, university-educated librarian; his flatmate is Koro (Rawiri Paratene) who works in a fish and chip shop. Running for two series, the popular chalk’n’cheese sitcom was a rare comedy amongst a flowering of bicultural TV stories (The Governor, Epidemic). Harrison’s novel The Quiet Earth later inspired a classic film.
Homegrown Profiles was a spin-off from music channel C4's local music series Homegrown. Screened in 2005, the interview-based show featured episodes devoted to the Finn Brothers, Dave Dobbyn, Bic Runga, Anika Moa, Shihad and Che Fu. The hour-long programmes were based around an extended interview with each artist, intercut with music videos and other performance material— all held together with a well-scripted narration by researcher/ interviewer/ director Jane Yee. Yee writes about making the show here.
This TVNZ kidult drama is a saltwater Swallows and Amazons, where the plucky "urchins" stumble upon villainous plots (from missing treasure to wildlife smuggling) on their seaside adventures. Over three series, locations like Mahurangi Peninsula in the Hauraki Gulf — where the youngsters holidayed with their uncle — and the Marlborough Sounds allowed for much floatplane, launch and navy frigate chase action. The cast included an array of experienced talent and featured a young Rebecca Gibney (the Packed to Rafter’s star’s first major TV role) and Robert Rakete.
Good Day was launched in March 1978 to succeed Today at One with producer Tony Hiles promising "an entertaining magazine programme with the magazine aspect spread over the whole week". The Avalon based show, which ran for two years, aired at 1pm on weekdays and featured regular reports and human interest stories from around the regions, studio interviews, book and film reviews, and consumer, arts and gardening segments. Political journalist Simon Walker was an early staffer while Dylan Taite contributed reports from Auckland.